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In a coach-house, through which we passed on our way to see the prince's favourite horses with the state carriagesquite commonplace and comfortable, and made at Palitanawas a chigram,[Pg 68] off which its silk cover was lifted; it was painted bright red and spangled with twinkling copper nails. This carriage, which is hermetically closed when the Ranee goes out in it, was lined with cloth-of-gold patterned with Gohel Sheri's initials within a horseshoe: a little hand-glass on one of the cushions, two boxes of chased silver, the curtains and hangings redolent of otto of roses.

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Then a man rose, and standing on the bayadres' carpet, he recited, in verses of equal measure, a sort of heroic legend, making his voice big, and emphasizing his words with grand gesticulation. One of the dancers spoke the antistrophe, and this went on interminably, till their voices gradually sank to mere hollow and expressionless intoning, while they swayed their bodies to and fro like children who do not know their lesson.The play was Gul-E-Bakaoli.In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe.
  • THREE:This native regiment, after many victories, was presented by the Empress Queen with a sort of mace. A little shrine contains two crossed knives, and is surmounted by three Ghoorkhas bearing a royal crown in silver. This object is preserved in a case in the ammunition store. An officer is appointed to guard it, and the soldier who took it out to show me touched it really as if it had been the Host. And it is a fact that on high festivals the soldiers come to sacrifice goats before the house where this fetish is treasured.
  • THREE:
  • THREE:AGRAThis morning, at Peshawur, down come the police on my houseboatthree of themand their leader explains matters. Abibulla interprets.
  • THREE:All the day long a solid blue mass melting into rain hid the mountains and darkened the nearer view; and our return journey was made between two grey walls, through which the trees, which sometimes met in an arch overhead, were but dimly visible.
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TWO:On reaching the temple of Vishnu, on the very threshold, we met an elephant marching in front of the Brahmin priests, who were carrying water in copper amphor? to bathe the idols withal. Musicians followed the elephant, playing on bagpipes, on a kind of little trumpet, very short and shrill-toned, and on drums; and the beast, with its trunk swaying to right and left, begged a gift for the expenses of the temple.
FORE:The people came back to the dancing, which went on till daylight. The music could be heard in the distance, drowned from time to time by the yelling of the jackals or the watchman's call, and it was not till daybreak that the drumming ceased.The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.

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Back to the station, where we lived in our carriage, far more comfortable than a hotel [Pg 58]bedroom. T., my travelling companion in Gujerat, received a visit from a gentleman badly dressed in the European fashion, and followed by black servants outrageously bedizened. When this personage departed in his landau, rather shabby but drawn by magnificent horses, T. was obliged to tell me he was a rajahthe Rajah of Suratquite a genuine rajah, and even very rich, which is somewhat rare in these days among Indian princes.In the shrine of Chaumuc, the god of many faces, the four masks grin down from the sides of a square pillar of white stucco. The walls, vault, and pavement of this temple are all red, with borders of green and yellow; the colours scream in contrast to the whiteness of the images, with their staring eyes made of crystal balls that look like spectacles.Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.
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