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After sunset, in every garden, on every hedge, wherever there had been a scrap of shade during the afternoon, there was a perfect burst of flowers, opening in the cooler air and scenting the night. Round one bungalow the rose trees, overloaded with flowers, hardly had a leaf, and in the grass, violet and lavender larkspurs grew as tall as maize plants. Yellow stars gleamed in the tangle of creepers over the verandahs, and on a tree that looked as if it were dead blossoms glistened in the moonlight like polished steel.

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From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.
THREE:At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.

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THREE:On entering the park the cocked turbans of the bodyguard again reminded us of the hats of the French Guards.

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THREE:RAMPOORWhen we left he was in a coppersmith's shop, singing with wide open, staring eyes; his face had a strangely sad expression while he sang a gay, jigging tune to foolish words that made the people laugh.

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TWO:As we returned the wind had fallen, and the men rowed. The moon rose pale gold, and in the distance, in the violet haze, the lights of Bombay mingled with the stars. The boatmen's[Pg 23] chant was very vague, a rocking measure on ascending intervals.
THREE:On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.

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THREE:All about the town of pink plaster, in the dust of the roads and fields, are an endless number of dead templestemples of every size and of every period; and all deserted, all empty; even those that are uninjured look like ruins.

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THREE:Along the roads of beaten earth, between tall plastered houses, a tramway runs. In the shopfronts the motley display suggests a curiosity shop, and the goods have a look of antiquity under the thick layer of dust that lies on everything. It is[Pg 5] only in the heart of the city, in the "Fort," that the shops and houses have a European stamp.

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  • THREE:At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.Behind this mosque, by narrow alleys hung with airy green silk that had just been dyed and spread to dry in the sun, we made our way to the mausoleum of Badorgi Shah: a cloister, an arcade of octagonal columns carved with flowers, and in the court, the tombs of white stone, covered with [Pg 64]inscriptions, that look like arabesques. There are some children's tombs, too, quite small, in finer and even whiter stone, and two tiny stones under which lie Badorgi's parrot and cat.

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THREE:A plain of dried mud, dull grey, with scarcely a tinge of yellow in places; all round the horizon softly undulating hills which looked transparent, here a tender blue, there delicately pink, in flower-like hues. One of them, rising above all the eastern chain, might be a fortress, its towers alone left standing amid the general wreck. To the west the highest summits were lost in the blue of the sky, identically the same, but that the peaks were faintly outlined with a delicate line of snow.

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Heavy coaches with solid wheels, hermetically covered with red stuff patterned with white, were bringing home the invisible but noisy ladies of the zenana.The god having been placed in the shrine, which was enormously heavy, and took a hundred men to carry it, the procession set out. First two drums, then some children burning coloured fire and whirling fireworks round above their heads. Three oxen with housings of velvet, richly embroidered in gold, carried tom-tom drummers, and behind them came the priests and the god, hardly visible among the lights and flowers on the shrine. A breath of awe fell on the crowd as the divinity came by; they bowed in adoration with clasped hands and heads bent very low.As we go nearer, gothic towers are distinguishable among the buildingsfaint reminiscences of Chester, clumsily revived under the burning light of white Asia.
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