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The man was dressed in blue and silver, his belt studded with four-anna pieces; hanging to his girdle was a whole array of small knives, sheaths, and boxes. With his sleeves turned up to his elbows, he fairly amazed me, conjuring away into the air eight rupees that filled his hand, and finding them again one by one in our pockets, bags, or plaids. He turned everything topsy-turvy, swaggered as if he were the master, and then went off, with his broad smile, to amuse other travellers.Men were carrying mud in enormous turtle-shells that they used for baskets.
ONE:

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TWO:As soon as we returned to Palitana the Rajah sent to inquire after me, and to present me with round boxes of fruit preserved in Cashmere, oval green grapes, each wrapped separately in cotton and smelling of honey.

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ONE:Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.
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ONE:
THREE:The noise in the dock is maddening. The Customs, the police, the health-officers, all mob the voyager with undreamed-of formalities, such as a paper to be signed declaring that he has but one watch and one scarf-pin, and that their value is in proportion to the wearer's fortune. Then, again, the dispersal of the luggage, which must be fished out at another spot amid the yelling horde of coolies who rush at[Pg 4] the trunks and use the portmanteaus as missiles, till at last we are in the street.

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THREE:Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.

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THREE:Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.

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ONE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration. THREE:

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<000005> BOMBAYThen a quiet little street. Our guide paused in front of a whitewashed house. An old woman came out, and with many salaams and speeches of welcome led us into a large, low room.The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.
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