ONE:In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildingsperfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.In the heart of an extensive park, where wide lawns are planted with gigantic baobabs and clumps of bamboo and tamarind, stands an important-looking building, hideously modern in a mixture of heterogeneous styles and materials, of a crude yellow colour, and much too new. There is no attempt at unity of effect. A central dome crowns the edifice and a square tower rises by the side of it. Some portions, like pavilions, low and small, carry ornaments disproportioned to their size; while others, containing vast halls, have minute windows pierced[Pg 52] in their walls, hardly larger than loopholes, but framed in elaborate sculpture and lost in the great mass of stone. Arcades of light and slender columns, connected by lace-like pierced work of alarming fragility, enclose little courts full of tree-ferns and waving palms spreading over large pools of water. The walls are covered with niches, balconies, pilasters, and balustrades carved in the Indian style, the same subjects constantly repeated.
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neque sodales facilisis. Nullam tempus fermentum lorem nec interdum. Ut id
orci id sapien imperdiet vehicula. Etiam quis dignissim ante. Donec convallis tincidunt
ligula, ac luctus mi interdum a.
ONE:Japanese girls, too, in every possible hue, with piles of tinsel and flowers above their little flat faces all covered with saffron and white paint; little fidgeting parrakeets flitting from window to window, and calling to the people in the street in shrill, nasal tones.In a dirty stable, strewn with withered plants, stood some forlorn, sickly-looking beasts, the sacred bulls of Madura.
Nunc accumsan hendrerit nunc, ac venenatis magna facilisis quis. Ut sit amet mi ac
neque sodales facilisis. Nullam tempus fermentum lorem nec interdum. Ut id
orci id sapien imperdiet vehicula. Etiam quis dignissim ante. Donec convallis tincidunt
ligula, ac luctus mi interdum a.
ONE:A Ja?n temple. A confusion of ornament, carved pillars, capitals far too heavy, with a medley of animals, gods and flowers, under a roof all graven and embossed. In the sanctuary, where the walls are riddled with carving, is an enormous Buddha of black marble decked out with emeralds, gold beads and rare pearls, hanging in necklaces down to his waist. A large diamond blazes in his forehead above crystal eyes, terrifically bright. Every evening all this jewellerythe gift of Hati Singh, a wealthy Ja?n merchant who built the templeis packed away into a strong-box, which we were shown in the cellar.
Nunc accumsan hendrerit nunc, ac venenatis magna facilisis quis. Ut sit amet mi ac
neque sodales facilisis. Nullam tempus fermentum lorem nec interdum. Ut id
orci id sapien imperdiet vehicula. Etiam quis dignissim ante. Donec convallis tincidunt
ligula, ac luctus mi interdum a.
ONE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance.
Nunc accumsan hendrerit nunc, ac venenatis magna facilisis quis. Ut sit amet mi ac
neque sodales facilisis. Nullam tempus fermentum lorem nec interdum. Ut id
orci id sapien imperdiet vehicula. Etiam quis dignissim ante. Donec convallis tincidunt
ligula, ac luctus mi interdum a.
ONE:
Nunc accumsan hendrerit nunc, ac venenatis magna facilisis quis. Ut sit amet mi ac
neque sodales facilisis. Nullam tempus fermentum lorem nec interdum. Ut id
orci id sapien imperdiet vehicula. Etiam quis dignissim ante. Donec convallis tincidunt
ligula, ac luctus mi interdum a.
