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The other victim, the night watchman of a neighbouring village, was suspected of treachery towards the hill-tribes in a recent skirmish. One ball through the head had killed him, and his arms had been cut off.

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Yellow palaces, mirrored as gold in the luminous waters of the Ganges, came into view; cupolas quivering with dazzling lustre against the intense skyand then the whole city vanished. Nothing was to be seen but a suburb of shabby buildings, the commonplace railway station crowded by a Burmese pilgrimage of Buddhists come from so farwho knows why?to the holy Indian city. Yellow priests and white doll-like figures dragging bundles that fell open, dropping the most medley collection of objects to be picked up and stowed into the parcels again, only to roll out once more. A yelling crowd, hustling and bustling, shouting from one end of the station to the other, and finally[Pg 155] departing, like a flock of sheep, in long files down the dusty road, to be lost at last in the little bazaar.[Pg 205]
THREE:Flocks of almost tame partridges and wood-pigeons occupying the road did not fly till they were almost under the horses' feet, and all the way as we went, we saw, scampering from tree to tree, the scared little squirrels, grey with black stripes and straight-up bushy tails.The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.
FORE:One of them was standing against a curtain of black satin embroidered with gold; muslin that might have been a spider's web hardly cast a mist over her sheenless skin, pale, almost white against the glistening satin and gold, all brightly lighted up. With a large hibiscus flower in her hand she stood in a simple attitude, like an Egyptian painting, then moved a little, raising or lowering an arm, apparently not seeing the passers-by who gazed at herlost in a dream that brought a strange green gleam to her dark eyes."You know it is pashmina?"
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FORE:In a coach-house, through which we passed on our way to see the prince's favourite horses with the state carriagesquite commonplace and comfortable, and made at Palitanawas a chigram,[Pg 68] off which its silk cover was lifted; it was painted bright red and spangled with twinkling copper nails. This carriage, which is hermetically closed when the Ranee goes out in it, was lined with cloth-of-gold patterned with Gohel Sheri's initials within a horseshoe: a little hand-glass on one of the cushions, two boxes of chased silver, the curtains and hangings redolent of otto of roses.

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FORE:A day in the tonga. Early in the morning through snow, and past forests where huge pines were felled by yesterday's storm; then, after descending a hill in a thaw that melted the clay soil into red mud, we came to a felted carpet of flowers as close as they could lie, without leaves; violets, and red and white tulips swaying on slender stems. And here again were the song of birds, and fragrance in the soft, clear air.In the middle of the station groups of women and children squatted on the flagstones, their little bundles about them of red and white rags, and copper pots looking like gold; a huddled heap of misery, in this enormous hall of palatial proportions, handsomely decorated with sculptured marble.

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FORE:The rice, lately sown, was sprouting in little square plots of dazzling green; it was being taken up to transplant into enormous fields perpetually under water. All the "paddy" fields are, in fact, channelled with watercourses, or if they are on higher ground, watered from a well. A long beam is balanced over the mouth of the well, and two boys run up and down to lower and raise the bucket; a man tilts the water into the runlets out of a large vessel of dusky copper, or perhaps out of a leaky, dripping water-skin.

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THREE:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.
  • FORE:A funeral came pushing past me in the silence of this sleeping district: the body, wrapped in red, hung from a bamboo that rested on the bearers' shoulders. No one followed him, and the group disappeared at once in the deep gloom of the narrow alley.At Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead.

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  • FORE:Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.This cell is as dark as a cellar, barbarously squalid. But to all our questions the moollah who was our guide only replied:

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THREE:Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the question

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THREE:A tea plantationa garden of large shrubs pruned[Pg 293] in such a way as to secure the greatest possible growth of young shoots, and above the delicate tea plants a shady hedge of fan palms and taller trees. The leaves are gathered by day, spread in the evening on hurdles and left for the night in open sheds. On the morrow they are first thrown into a sort of bottomless square funnel which revolves on a board; rolled and broken in this machine they are ready for drying. The tea passes through twenty grades of increasing temperature, and in drying it gives out the most delightful aromaa mixture of sweetbriar, seaweed, and violets, with a scent of tea too. The leaves are finally sifted, which sorts them in four sizes into boxes containing the different qualities.At Jhansi, by the station, were parties of famishing emigrants, all with the same dreadful white grimace and glazed eyes, and in the town more starving creatures dragging their suffering frames past the shopsalmost all closedor begging at the doors of the temples and mosques; and the few passers-by hurried on as if they, too, wanted to escape, overpowered by this scene of dread and horror.

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THREE:Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.

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"I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.All along the narrow streets, paved with broad flagstones up and down in low irregular steps, stand the five hundred temples of Benares, and between them houses with carved stone porticoes. The ochre-coloured stone, of which they all are built, is toned in places by a coating of reddish purple, faded by the rain and sun to pale flesh-colour, with an undertone of the yellow wall; and this takes on a glow as of ruby and sunset fires in the watery ripple reflected from the rivera mingling of every hue of intense sunshine, filtering through the awnings spread over the balconiesa glory of repose, tender and clear, which seems to emanate from the objects themselves, and to envelop them in a fine powder of light.
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