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The throng outside had increased; Abibulla could scarcely make way for me to the end of the street, and for a long time I could still hear the cries that reached us at a distance.

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TWO:Opposite a large tank, where a tall column rises from the water in memory of the victims of the Mutiny, and where a party of the votaries of Siva are performing their pious ablutions, a building stands in the Hindoo-Jesuit style of architecture. It is heavy, with white carvings above its pink paint, and with columns supporting turrets crowned with large lion-faces, the masks only, in the Indian manner, daylight showing through the jaws and eyes, and the profiles absurd, shapeless, and unmeaning. This is the college of La Martinire.At the bottom of a wide flight of steps flows the Ganges, translucent, deeply green, spangled with gold. The bathers, holding the little brass pots that they use for their ablutions, are performing the rites, surrounded by large yellow fishes spotted with green. Pink and white stuffs are spread to dry on the steps, flowers are scattered on the stream, long wreaths are floating down the river, curling and uncurling at the caprice of the current.

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TWO:

「汽罐報国」という経営理念のもと、「民生熱エネルギー分野における企業活動を通して社会に貢献すること」をめざしている会社です。
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TWO:The walls are covered with bas-reliefs carved in the rock, the roof adorned with architraves of stone in infinite repetition of the same designs. The stone is grey, varied here and there with broad, black stains, and in other spots yellowish, with pale gold lights. Some of the sculpture remains still intact. The marriage of Siva and Parvati; the bride very timid, very fragile, leaning on the arm of the gigantic god, whose great height is crowned with a monumental tiara. Trimurti, a divinity with three faces, calm, smiling, and fiercethe symbol of Siva, the creator, the god of mercy, and of wrath. In a shadowed corner an elephant's head stands outGanesa, the god of wisdom, in the midst of a circle of graceful, slender, life-like figures of women. Quite at the end of the hall, two caryatides, tall and elegant, suggest lilies turned to women. In the inner sanctuary, a small edifice, with thick stone walls pierced with tiny windows that admit but a dim light, stands the lingam, a cylinder of stone crowned with scarlet flowers that look like flames in the doubtful light; and in deeper darkness,[Pg 22] under a stone canopy, another such idol, hardly visible. The Brahman priests are constantly engaged in daubing all the statues of these divinities with fresh crimson paint, and the votaries of Siva have a spot of the same colour in the middle of the forehead. Two lions, rigid in a hieratic attitude, keep guard over the entrance to a second temple, a good deal smaller and open to the air, beyond a courtyard, and screened with an awning of creepers.

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TWO:
THREE:In one brilliantly-lighted hall, priests, dressed in long yellow dalmatics, were adoring idols, elephants, Anantas; and from an enormous gold lotus sprang the Mandeel, rising through the dome, its tip standing in the outer air to bear the white flag that is hoisted on high festivals. At the entrance to this shrine parrots in cages suddenly set up a hostile outcry as I passed them, and were only pacified by the coming of a priest, who gave them some food. The clatter, however, had attracted other Brahmins; one of them desired me to leave, "and[Pg 117] at once." I declined to obey, so he sent for the elephant who does duty as police, to turn me out.
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THREE:Stones flying, sticks thrownat a little pariah girl, whose shadow as she passed had defiled the food of a Brahmin. He merely threw away the rice, which the dogs soon finished; but the bystanders who had witnessed the girl's insolence in going so near the holy manshe so base and unworthyflew at the unhappy creature, who ran away screaming, abandoning a load of wood she was carrying on her head.The evening was exquisitely calm, shrouding everything in rose-colour, and shedding a light, opalescent golden haze on the pools and streams. And out of this floating gauze, in the doubtful light, white figures seemed to emerge gradually,[Pg 107] only to vanish again in the pure, transparent atmosphere of the blue night.
After inspecting my little permit to visit the Khyber, the officials at the fort had placed in my carriage a soldier of the native Khyber rifle-corps, six feet six in height, placid and gentle. When I got out of the carriage to walk up a hill he would follow a yard or so behind, and watching all my movements, looked rather as if he were taking me to prison than like an escort to protect me.Then, in a blaze of coloured fire, a fortissimo of music, and a whirlwind of drapery, they stopped exhausted in front of the idol. The lights were put out, the tom-toms were the only sound, and the procession moved on, escorting the shrine which glittered for some time yet, till it disappeared at an angle, leaving the temple in darkness just tinted blue by the moon.Outside the fortifications is a peaceful township of large gardens with row on row of tombstones and mausoleums; some of enormous size, palaces of the dead, and others smaller, but wrought like lacework of stone. For a league or more the necropolis lies on both sides of the road. Across the door of each mausoleum hangs a chain by the middle and the two ends.Spread before us in the iridescent atmosphere, the view extends over Palitana under its blue veil of light smoke, over the verdant plain chequered with plots of brown earth, and the winding ribbon of the Satrunji, a river as sacred to the Ja?ns as the Ganges is to the Brahmins. And far away, vague in the distance, a light shimmering more brightly where all is bright, lies the luminous breadth of the sea.As we reached Bunnoo green cornfields extended as far as the eye could see, under mulberry trees just unfolding their leaves. Numberless channels of water irrigated the land; the bed of the Kurrum[Pg 275] alone, quite white, was flecked here and there with blue pools, and was presently lost in the rosy distance of the hills on the Afghan frontier.
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