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The Count and Countess were kind, excellent people, who had just brought with them a poor old emigrant priest, and another younger one, whom they had picked up on the road after he had escaped from the massacre of the bridge of Beauvoisin. They had only a carriage with two places, but they had put the old man between them and the young one behind the carriage, and had taken the greatest care of them.

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All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.The Marquis de Choiseul had just married a very pretty American of sixteen years old, which did not prevent his entertaining a violent passion for Lisette, and trying to make love to her on all possible occasions, but greatly increased her indignation at his doing so.
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TWO:One day at the end of May when she and her daughter were walking in the summer gardens, they noticed that all the shrubs were covered only with buds. Taking a long walk round the gardens and returning to the same place, they found all the buds had burst into leaf.
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FORE:Grard
FORE:And society was very fascinating just then: all the stately charm and grace of the old rgime mingled with the interest and excitement of the new.As to the other daughter, Mme. de Valence, her marriage had turned out just as might have been [409] foretold by any one of common sense. M. de Valence did not change his conduct in the least, he was still one of the most dissipated men in Paris though he never stooped to the dishonour of Philippe-galit. He remained always the favourite of Mme. de Montesson, who at her death left her whole fortune to him.
FORE:
FORE:No, said the Marchal, if she must go I will tell her myself.Napoleon had insisted upon his marrying Mme. Grandt, his mistress, who had always received his guests during the loose society lately prevalent: people said that since he had done so, his salon was not nearly so amusing. She was a pretty but extremely stupid person, always making some mistake. On one occasion the celebrated traveller, M. Denon, was going to dine with them, and Talleyrand told her to be sure to talk to him about his travels, adding
FORE:
FORE:After his death, in order to distract her mind from the sorrow of it, she made a tour to Orlans, Blois, Tours, Bordeaux, &c., accompanied by her faithful Adla?de; after which she returned home and resumed her usual life, a happy and prosperous one, continually occupied by her beloved painting, surrounded by numbers of friends and adored by the two nieces, her adopted children. Eugnie Le Brun was like herself, a portrait painter, and although not, of course, of world-wide fame like [158] her aunt, she was nevertheless a good artist, and made a successful career, which gave an additional interest to the life of Mme. Le Brun.
FORE:Barbier, a lawyer and man of the world, whose journal of eight volumes gives a vivid impression of the life of that time, after remarking that the sentence was a very lenient one, [6] that the chateau was not so large as that of many a fermier gnral, and that the building thereof gave employment to many poor people, goes on to say, As for shame, ... if it is because the King has a mistress, why who has not? except M. le duc dOrlans. [7]... The Comte de Clermont, Abb de Saint-Germain-des-Prs, openly keeps Mlle. le Duc, who was an opera dancer; she spends three-quarters of the year at Berny, the Abbs country house, where she does the honours. She has a fine house in the rue de Richelieu, where the Prince often spends a week. The fathers of the abbey who have business with him go to him there in the morning, for he does not lodge in the palace of the abbey. This goes on in sight of every one, and nobody says a word about it.The beautiful Comtesse de Brionne and her daughter, the Princesse de Lorraine, who was also very pretty, then came to call on her, and their visit was followed by those of all the court and faubourg Saint Germain. She also knew all the great artists [30] and literary people, and had more invitations than she could accept.
FORE:
FORE:Mons was full of soldiers, they could only get bad rooms in the inn, and in the night Mademoiselle dOrlans, who slept in Mme. de Genliss room, did nothing but cough and moan. Going into the adjoining room to tell her niece, Mme. de Genlis found her in the same state; the girls had both got measles.

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Yes. What do you want of me?M. de Chalabre at first denied, but on the Queens insisting confessed that it was the young Comte de , whose father was an ambassador, and was then abroad. The Queen desired him to keep the affair secret, and the next evening when the young Count approached the tables she said, smilingWhat made this all the more provoking was that M. de Calonne was not even, like M. de Vaudreuil, [64] a great friend of hers. She did not know him at all intimately, and in fact only once went to a party given by him at the Ministre des finances, and that was because the soire was in honour of Prince Henry of Prussia, who was constantly at her house. The splendid portrait she painted of Calonne was exhibited in the Salon of 1786. Mlle. Arnould remarked on seeing it, Mme. Le Brun has cut his legs off to keep him in the same place, alluding to the picture being painted to the knees.Je jouerai du violon.One day the Baron de Talleyrand announced that [106] the Queen wished her to paint the portraits of her two eldest daughters, whose marriages she was just going to Vienna to arrange. [39][377]
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