THREE:However, the predictions were fulfilled. Mme. de Marigny, after many misfortunes, died young. The Comte de Flahault was guillotined during the Terror, and the Comtesse escaped with her son to England, where she lived in great poverty in a village near London, until a friend of hers, the Marquis , also an emigr, suggested to her that she should write a novel. That same night she began Adle de Senanges, which she sold for 100 to a publisher in London, and after which she continued by her writing to support herself and [44] educate her boy at a good English school. When she returned to France she lived at a small h?tel in an out-of-the-way part of Paris until she married M. de Souza, the Portuguese Ambassador.As time went on Trzia found that her influence as well as that of Tallien was rapidly declining. Her salon was not at all likely to last long. Those of the court and of society before the Revolution had been of an entirely different order; held by women who, besides their beauty or other attractions, were in an assured position, surrounded by well-known connections and friends, forming an intimate society sure to be met at their houses, and always ready to carry on conversation, avoid all topics likely to give offence, and make themselves generally agreeable. Nobody was admitted there who [341] was not accustomed to the usages of the world or who would interfere with the harmony and general tone of the house. People went there, not to engage in political discussions or to make love to their hostess, but to spend a pleasant evening and meet the friends they knew and liked. These salons continued to be frequented by their usual guests year after year without any more change than the lapse of time inevitably brings.
FORE:David, Chardin, the celebrated genre painter, Van Loo, Grard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vige was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.
FORE:As the window of her room looked upon the terrace, and was only five feet from the ground, she let herself down by a cord, taking care to choose the days when there was a post, Mlle. de Mars was busy writing to her friends, and her mother out of the way. Leaning upon the low wall of the terrace she instructed the little boys who stood below in what she happened to know herself, i.e., the catechism, the beginning of the principles of music, and certain tragedies which she and they declaimed, and as these instructions were mingled with cakes, fruit, and toys which she threw over the wall to them, they were very well attended, until Mlle. de Mars one day surprised them, and laughed so heartily at the verses recited in patois by the little boys that the class came to an end.The sort of people who frequented the salon of Mme. Tallien had no such ideas. They were a miscellaneous horde collected from the most opposite sources, many of whom were strangers to each other or disliked and feared each other, and who went there for different reasons. When Tallien became less powerful her salon became less and less full; when men ceased to be in love with her they left off going there.
FORE:A new era of prosperity, though of quite a different kind from the luxury, excitement, and splendour of her earlier life, now began for Mme. de Genlis. She opened a salon which was soon the resort of most of the interesting and influential people of the day. In the society of the Consulate and Empire [457] her early opinions and proceedings were not thought about, and her literary reputation was now great; and besides countless new acquaintances many of her old friends were delighted to welcome her again.
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