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THREE:"I have been in every room," she said. "There is positively nobody there. I shall have to send you away for a change of air. If you have no further dreams to tell me we had better go to bed."

THREE:We had got near the door of the room that stood ajar, and from there came the sound of a couple of girls' voices: "Hail, Mary.... Hail, Mary...."

THREE:Dreams, like oracles, were occasionally employed for the conversion of infidels. An incident of the kind is related by Aelian, a writer who flourished early in the third century, and who is remarkable, even in that age, for his bigoted orthodoxy. A certain man named Euphronius, he tells us, whose delight was to study the blasphemous nonsense of Epicurus, fell very ill of consumption, and sought in vain for help from the skill of the physicians. He was already at death’s door, when, as a last resource, his friends placed him in the temple of Asclêpius. There he dreamed that a priest came to him and said, ‘This man’s only chance of salvation is to burn the impious books of Epicurus, knead the ashes up with wax, and use the mixture as a poultice for his chest and stomach.’ On awakening, he followed the divine prescription, was restored to health, and became a model of piety for the rest of his life. The same author gives us a striking instance of prayer answered, also redounding to the credit of Asclêpius, the object of whose favour is, however, on this occasion not a human being but a fighting-cock. The scene is laid at Tanagra, where the bird in question, having had his foot hurt, and evidently acting under the influence of divine inspiration, joins a choir who are singing the praises of Asclêpius, contributing his share to the sacred concert, and, to the best of his ability, keeping time with the other performers. ‘This he did, standing on one leg and stretching out the other, as if to show its pitiable condition. So he sang to his saviour as far as the strength of his voice would permit, and prayed that he might recover the use of his limb.’ The petition is granted,230 whereupon our hero claps his wings and struts about ‘with outstretched neck and nodding crest like a proud warrior, thus proclaiming the power of providence over irrational animals.’352Before the ideas which we have passed in review could go forth on their world-conquering mission, it was necessary, not only that Socrates should die, but that his philosophy should die also, by being absorbed into the more splendid generalisations of Plato’s system. That system has, for some time past, been made an object of close study in our most famous seats of learning, and a certain acquaintance with it has almost become part of a liberal education in England. No170 better source of inspiration, combined with discipline, could be found; but we shall understand and appreciate Plato still better by first extricating the nucleus round which his speculations have gathered in successive deposits, and this we can only do with the help of Xenophon, whose little work also well deserves attention for the sake of its own chaste and candid beauty. The relation in which it stands to the Platonic writings may be symbolised by an example familiar to the experience of every traveller. As sometimes, in visiting a Gothic cathedral, we are led through the wonders of the more modern edifice—under soaring arches, over tesselated pavements, and between long rows of clustered columns, past frescoed walls, storied windows, carven pulpits, and sepulchral monuments, with their endless wealth of mythologic imagery—down into the oldest portion of any, the bare stern crypt, severe with the simplicity of early art, resting on pillars taken from an ancient temple, and enclosing the tomb of some martyred saint, to whose glorified spirit an office of perpetual intercession before the mercy-seat is assigned, and in whose honour all that external magnificence has been piled up; so also we pass through the manifold and marvellous constructions of Plato’s imagination to that austere memorial where Xenophon has enshrined with pious care, under the great primary divisions of old Hellenic virtue, an authentic reliquary of one standing foremost among those who, having worked out their own deliverance from the powers of error and evil, would not be saved alone, but published the secret of redemption though death were the penalty of its disclosure; and who, by their transmitted influence, even more than by their eternal example, are still contributing to the progressive development of all that is most rational, most consistent, most social, and therefore most truly human in ourselves.

THREE:Into the murky folds of the thick mist dived the seaplane.40

THREE: