THREE: "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?
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THREE:"The whale lashed about and then 'breached;' that is, he threw his great body out of the water, giving me a chance to get in a second harpoon. Then he soundedthat is, he went downand the lines ran out so fast that the side of the boat fairly smoked when they went over. He ran off two hundred fathoms of line before he stopped, and then we felt the line slack and knew he would soon be up again.
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THREE:"You see, I had lost faith in myself," said the Clockwork man, plaintively. "I had forgotten what I could do. I was so terribly run down.""Yes,--yes,--but, oh, don't you see, Smith? For you, yourself, that's all right; you've got to stay with him, and I'm glad you have. But he--oh why did he not go on hours ago, to meet them?"
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THREE:A TRANSACTION IN CLOTHES. A TRANSACTION IN CLOTHES.
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THREE:Alices music had lasted so long that already the respectable hour of half-past ten, at which in Bracebridge parties, the crunch of carriage wheels on the gravel was invariably heard, had arrived, Mr Silverdale had received such rest and refreshment that he sat on the edge of his chair and talked buoyantly and boyishly for another half-hour. The Galahad-aspect had vanished, so, too, had the entranced listener to slow movements, and his conversation was more like that of a rather fast young woman than a man of any kind. He told a Limerick-rhyme with a distinct point to it, having warned them that it was rather naughty, and eventually jumped up with a little scream when the ormolu clock struck eleven, saying that{62} he would get no end of a scolding from his housekeeper for being late.
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