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You think me de trs bonne maison, dont you? said the King; well, I myself should find difficulty in entering that order, because in the female line I descend in the eighth degree from a procureur.

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ONE:

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ONE:Mme. de Tess, who knew nothing about a sick room, was very anxious and busy, and insisted on helping to nurse Pauline. In spite of her free-thinking professions, she would be observed to make the sign of the cross behind the curtain of the bed. She made various mistakes, and in her haste poured a bottle of eau de Cologne instead of water over the head of the new-born infant.The state and power of some of these abbesses, and the comfortable, cheerful security of their lives at that time made the position much sought after. It was a splendid provision for the daughters of great houses, and a happy life enough if they did not wish to marry. The following anecdote is given by Mme. de Crquy, and, although it happened rather earlier in the eighteenth century, perhaps forty or fifty years before the time now in question, it is so characteristic of the state of things that still prevailed that it may not be out of place to give it.
ONE:The Duc dAyen, though always retaining a deep affection for his wife, spent a great part of his time away from her. He was one of the most conspicuous and brilliant figures at the court, and besides entering eagerly into all its pleasures, dissipation, and extravagance, was a member of the Academy of Science; and although by no means an atheist or an enemy of religion, associated constantly with the philosophers, whose ideas [164] and opinions he, like many of the French nobles in the years preceding the Revolution, had partly adopted, little imagining the terrible consequences that would result from them.They did not know her at first, for besides her altered looks she was dressed as an ouvrire, having just exhibited in the Salon her portrait which she had painted with her child in her arms, and fearing she might be recognised.
  • THREE: THREE:The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his sons room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce the King and Monseigneur le Dauphin. [69]

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  • THREE: THREE:Besides the gardens of the Tuileries, Luxembourg, and Palais Royal, there were plenty of other places to which the Parisians resorted for amusement.Yes; and there is nothing in his appearance to justify your horror.

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  • THREE:The hot weather she used to spend at some house [137] she took or had lent to her in the country near St. Petersburg.One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her. THREE:She always kept this drawing, her foretaste of the brilliant success that began so early and never forsook her.

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  • THREE:She was received with delight at her house in the rue du Gros-Chenet, by M. Le Brun, her brother, her sister-in-law, and their only child, the niece who was to fill her daughters place. The house was beautifully furnished and filled with flowers, and that same evening a grand concert in her honour was given in the large salon of a house in a garden adjoining, which also belonged to M. Le Brun, who told her that he had during the [147] Revolution, when the churches were closed, lent this salon to celebrate mass.The abbey was very beautiful, and there were more than a hundred nuns besides the lay sisters and the pensionnaires (children and young girls being educated there). THREE:On the nights when there was an opera, the Palais Royal was open to any one who had been presented there. The first invitation to supper meant a standing one for those days, therefore the Palais Royal was then crowded with guests; and on other evenings the petits soupers, generally consisting of eighteen or twenty guests, were composed of those of the intimate society of the Duke and Duchess, who also had a general invitation.And step by step she was drawing away from the Revolution. She had had enough of it, and she began to feel that disgust and horror were taking the place of the frantic admiration she had entertained for it in former years. And the finishing stroke was put by hearing herself called, as she walked with Tallien in Cours la Reine one evening, Notre Dame de Septembre.

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ONE:THE next day was the divorce. M. de Fontenay hurried away towards the Pyrenees and disappeared from France and from the life and concerns of the woman who had been his wife. THREE:
ONE:Another of the people declared to be in love with Mme. Le Brun, and about whom there was so much gossip as to cause her serious annoyance, was M. de Calonne, the brilliant, extravagant, fascinating Finance Minister of Louis XVI. [28]

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ONE:The Duke with an air of consternation asked her to come into another room alone with him, and there with much embarrassment told her that his daughter, who was now fifteen, was by a new law placed in the list of emigres for not having returned at the time appointed; that it was her fault for not bringing her back when he first sent for her; that he was sure to be able to make it all right by getting her placed in a list of exceptions to be made, but that meantime she must go and wait in some neutral country; that he implored Mme. de Genlis to take her to Tournay; that the decree of exception would certainly be out in a week, and then he would come himself and fetch his daughter, and she (Mme. de Genlis) should be free.NICE
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FORE:She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: I am painting your eyes now, or would insist on the portrait being done with the eyes looking in another direction.

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FORE:Mon cher, here is what you wanted; the music is all right, I have just tried it on my flute. I am sorry not to be able to get you some more; I shall not be alive to-morrow. [107]
ONE:Lisette painted the two Princesses and the Prince Royal before returning to Rome, where she had no sooner arrived than she had to go back to Naples to paint the Queen.
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ONE:CHAPTER II

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ONE:NaplesLady HamiltonMarie Caroline, Queen of NaplesMesdames de FranceTheir escapeLes chemises de MaratRomeTerrible news from FranceVeniceTurinThe Comtesse de ProvenceThe 10th AugustThe RefugeesMilanViennaDelightful societyPrince von KaunitzLife at Vienna.
FORE:For six months she worked with enthusiasm, perfectly happy and engrossed with her painting, never noticing that her landlord, who was a good-looking, pleasant, but exceedingly dissipated man, was paying her great attention, having fallen violently in love with her. FORE:For Gods sake, hold your tongue and let me pass, said the Chevalier in a low voice. My life depends upon it. Do you hear? do you understand? I have just escaped from prison; I am condemned to death. If you hold your tongue and let me pass I am saved, but if you keep me and call out my name you will kill me. FORE:Besides, she educated her own two daughters, her nephew, Csar Ducrest, whose mother died and whose father (her brother) was given a post at the Palais Royal, a young cousin, Henriette de Sercey, and later on one or two other children she adopted. But what caused considerable speculation and scandal was the sudden appearance of a little girl, who was sent, she said, from England, to speak English with the other children amongst whom she was educated. On perfectly equal terms with the Princes and Princesses of Orlans, petted and made much of by every one, she was, and still is supposed by many, perhaps by most people, to have been really the daughter of Mme. de Genlis and the Duc de Chartres. At any rate, no English relations were ever forthcoming, and it was never clearly established where she came from, except that she was announced to have been sent over from England at the request of the Duc de Chartres. She was remarkably beautiful and talented, and Mme. de Genlis brought her forward, and did everything to make her as affected and vain as she had been made herself. FORE:In spite of all her social success hers was not a disposition to be happy. She was too excitable, emotional, and unreasonable. A liaison with a brother of Garat brought her much unhappiness, [103] and her unfortunate marriages and love affairs caused the Emperor Napoleon to say to her one day at some court entertainmentCapital letter A
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At length she did so, and M. de Kercy, flinging himself upon her neck, exclaimedPhilippe-galit had wearied Robespierre with his petitions to be released, and that worthy remarked to Fouquier-TinvilleMAXIMILIEN ROBESPIERREYou speak like a villain!Then I salute my Emperor.
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