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The great avenue was a fashionable promenade on Sundays and ftes, and to Lisette and her friend Mlle. Boquet, both of whom grew prettier every year, it was a great amusement to walk there with the mother and step-father of the former. The Grand-Opra being close by, when the performance was over, which then was at half-past eight, it was the fashion, on summer nights, for every one to come out and walk about these gardens, where sometimes until two oclock in the morning it was a scene of enchantment. People belonging to the court and society, bourgeois, actors, musicians, the demi-monde all went there. Every well-dressed woman in the evening carried a large bouquet of flowers, the scent of which filled the air, groups of people scattered about sang or played the harp, violin, or guitar, especially on moonlight nights; amateurs and artistes too, the delicious music of Saint Georges, Alsoredo and Garat often attracted crowds of listeners.In education, principles, conduct, and nationality, they were absolutely different, but each of them was typical of the time, the class, and the party to which she belonged.
ONE:Their property had been confiscated, their estates seized, and their h?tels and chateaux either burnt or sold.A few days after her arrival at St. Petersburg, where M. L did not suppose she would ever come, Mme. Le Brun went to see Mme. de Strogonoff, and as she was not well, went into her bedroom and sat down by the bed.

THREE:Over the whole proceedings of Tallien and Trzia there was, in fact, an atmosphere and tone that can be best described as flash; for no other word seems to be so thoroughly characteristic of themselves, their friends, their sentiments, their speech, and their lives at this time.
FORE:Oh! for that matter, said the gipsy, it will have no limit.

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THREE:For La Fayette was neither a genius, nor a great man, nor a born leader; the gift of influencing other people was not his; he had no lasting power over the minds of others, and as to the mob, he led them as long as he went where they wanted to go. When he did not agree with all their excesses they followed him no longer.
FORE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.M. Geoffrin did not altogether approve of his wifes perpetual presence at the h?tel Tencin, which had by no means a good reputation; and when she also began to receive in her own house a few of the literary men whom she met there, philosophers, freethinkers, and various persons upon whom he looked with suspicion, he at first strongly objected. But it was useless. His wife had found the sixteen years of her married life remarkably dull; she had at length, by good fortune, discovered the means of transforming her monotonous existence into one full of interest, and the obscurity which had hitherto been her lot into an increasing celebrity. She turned a deaf ear to his remonstrances, and after a good deal of dissension and quarrelling the husband gave way and contented himself with looking after the household and being a silent guest at the famous dinners given by his wife, until at length, on some one asking her what had become of the old gentleman [38] who was always there and never spoke, she replied

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THREE:Monsieur le Comte, your husband, will lose his head on the scaffold; you will leave France to live without resources in a foreign land; you will work for your living, but after long years of exile you will return to France. You will marry an ambassador, but you will have other vicissitudes.She did so on the following day, and Tallien advised him to wait.
THREE:

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THREE:No, I shall come back here. It is not you who will go away, it is the scaffold.

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TWO:Thinking he must have lost his senses she did nothing of the sort, and again he cried outM. de Beaune not only refused to receive or speak to the Vicomte de Noailles and La Fayette, but would scarcely allow Pauline to see her sisters, at any rate in his h?tel. When they were announced anywhere he took up his hat and left the house, and the banging of doors in the distance proclaimed his displeasure. It was worse when she was alone with her husband and his father in the evenings. Ever since the fall of the Bastille M. de Beaune had been anxious to emigrate with his family, and Pauline, who shared his opinions, had the same wish. But her husband disapproved of it, and the endless discussions and altercations, in which M. de Beaune was irritated and violent, and his son quiet and respectful though resolute, made her very unhappy.

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THREE:The Louvre, then filled with works of artthe [148] plunder of the rest of Europewas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, Liberty, Equality, and Fraternity, which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former daysin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.
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TWO:In reading the history of these events one cannot help feeling that all ones sympathy is for Marie Antoinette and her children, but that a King whose conduct was so despicable, who shrank from shedding the blood of infamous traitors and murderers, while he allowed them to massacre his faithful soldiers and friends, was not worth dying for.The story of her exile is indeed a contrast to that of Mme. Le Brun, who, with none of her advantages of rank and fortune, nothing but her own genius, stainless character, and charming personality, was welcomed, fted, and loved in nearly every court in Europe, whose exile was one long triumphant progress, and who found friends and a home wherever she went.

ONE:She now painted the whole day except when on Sundays she received in her studio the numbers of people, from the Imperial family downwards, who came to see her portraits; to which she had added a new and great attraction, for she had caused to be sent from Paris her great picture of Marie Antoinette in a blue velvet dress, which excited the deepest interest. The Prince de Cond, when he came to see it, could not speak, but looked at it and burst into tears.He gave Lisette lessons in oil-painting for which his wife used to come and fetch her. They were so poor that on one occasion when she wished to finish a head she was painting, and accepted their invitation to stay and dine, she found the dinner consisted only of soup and potatoes.

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ONE:Overcome with grief at this terrible news, and filled with self-reproach for the peaceful happiness of her own life, the solitude of the place became insupportable, and she at once returned to Turin.

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ONE:The most important part of the tour to Mme. Le Brun was her visit to Antwerp, then a medi?val city of extraordinary beauty and interest, which have only, in fact, of comparatively recent years been destroyed by the vandalism of its inhabitants. So striking was its appearance, with its walls, gates, and forest of towers rising from the broad Scheldt, that Napoleon, enchanted with its beauty, said it looked like an Arab city, and he gazed upon it with admiration.

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THREE:Plus nest le temps, où de mes seuls coupletsIl en avait trois grises
THREE:

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