ONE:¡°How thankful I was to find myself alone in the room occupied first by my brother, then by Buonaparte, to which I came back after so long an absence: absolute solitude was a necessity to my mind. I prayed and groaned without interruption, which relieved me; then I resolved irrevocably to act in such a manner as never to expose France or my family to the Revolution which had just ended.... I lay down in the bed of Buonaparte, it had also been that of the martyr king, and at first I could not sleep ... like Richard III. I saw in a vision those I had lost, and in the distance enveloped in a sanguinary cloud I seemed to see menacing phantoms.¡±
TWO:Of the Dauphine, Marie-Jos¨¨phe de Saxe, as well as of his father, their son the Comte de Provence, afterwards Louis XVIII., writes in his Memoirs as follows: ¡°His pure soul could not rest on this earth, his crown was not of this world, and he died young. France had to mourn the premature death of a prince, who, if he had lived might perhaps have saved the kingdom from the catastrophe of a blood-stained revolution, and his family from exile and the scaffold.All laughed at the vision, but the next day she was so ill that her execution was put off, she continued to be so ill that she could not be moved and was forgotten till the 9th Thermidor came and she was saved. She died, as Cazotte had predicted, in her own bed at a great age.
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TWO:¡°One autumn night, after ten o¡¯clock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenth¨¨se, had had the golden ball of her prioress¡¯s staff engraved with the motto of her family, ¡®Tous-teints-de-sang¡¯ (¡®All stained with blood¡¯), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, ¡®My dear daughter, a war-cry is always improper for a bride of Jesus Christ....¡¯End of the ancien r¨¦gime¡ªForetaste of the Revolution¡ªThreatened¡ªResolves to emigrate¡ªAnother alarm¡ªPreparations¡ª¡°You are wrong to go¡±¡ªA terrible journey¡ªSafe across the frontier.
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THREE:
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THREE:The real names of Mlle. de Maintenon were Anne Paule Dominique, which, sonorous as they sound, were those of a poor old man and woman of the labouring class whom the Duchess had chosen to be her daughter¡¯s godfather and godmother.Over the whole proceedings of Tallien and T¨¦r¨¨zia there was, in fact, an atmosphere and tone that can be best described as ¡°flash¡±; for no other word seems to be so thoroughly characteristic of themselves, their friends, their sentiments, their speech, and their lives at this time.
FORE:¡°Oh! for that nonsense they do every year.¡±
THREE:M. de Montagu was now with the troops of the Duc de Bourbon, and hearing he was to pass through Li¨¦ge, Pauline went there to see him, and waited at an inn to which she knew he would go. Though he was overjoyed at this unexpected meeting, he had to leave the same day, as an engagement was imminent, and he remarked that those who were accused of being the last to join the army must not be last on the battlefield.The scarcity of women at that time and the enormous number of soldiers of all ranks gave that impression to one used to the brilliant Russian court.
FORE:
THREE:¡°¡®The young Comte de Beaujolais, in the innocence [427] of his soul, has always remained a Bourbon, and this amiable boy feels a tender sympathy for my misfortunes. The other day he sent me in secret a person named Alexandre, a valet de chambre of good education. This worthy man, whose open expression impressed me in his favour, knelt down when he came near me, wiped away some tears and gave me a letter from the young prince, in which I found the most touching words and the purest sentiments. The good Alexandre begged me to keep this a profound secret, and told me that the Comte de Beaujolais often talked of escaping from his father and dying in arms for the defence of his King.
FORE:F¨¦licit¨¦ recovered, and went to Spa, and to travel in Belgium. After her return, as she was walking one day in the Palais Royal gardens, she met a young girl with a woman of seven or eight and thirty, who stopped and gazed at her with an earnest look. Suddenly she exclaimed¡ª
THREE:CHAPTER VIIISo saying, he got into the carriage that was waiting at the church door, and she saw no more of him.
FORE:The two gentlemen then went to look for the carriage, which had not come. They were away a long time. A fearful noise seemed to be going on in the place Louis XV., and when, after midnight, they did return, they assured the anxious, rather frightened young women that they could not find either carriage or servants, that the crowd was fearful, and there would be no chance of getting [381] away for at least two hours, so they had brought them some cakes and a chicken for supper. They did not tell them of the fire, the horrible confusion, and the people being crushed to death in the place. But presently groans and cries were heard just under their window, and, looking out, they saw two old ladies in full evening dress, with paniers¡ªthe Marquise d¡¯Albert and the Comtesse de Renti, who, while trying to get to their carriage, had got separated from their servants and carried along by the crowd. As it was impossible to get them to the door, they leaned out of the window and drew them up with great difficulty. Mme. d¡¯Albert was covered with blood, as some one in the crowd had snatched out one of her diamond ear-rings.
THREE:¡°Madame,¡± he replied, ¡°that man is the friend of the State, which is the only thing that ought to be considered.¡±The Louvre, then filled with works of art¡ªthe [148] plunder of the rest of Europe¡ªwas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, ¡°Liberty, Equality, and Fraternity,¡± which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former days¡ªin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.
FORE:She had not done so, however, and had even consented to his plan of their both leaving France and taking refuge with her father in Spain. She wished no harm to M. de Fontenay, and although in spite of all that had happened she still believed in the Revolution, its principles, and future results, she was horrified at the cruelty and atrocities going on around her at present.
THREE:CHAPTER VI
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THREE:Lisette thanked the friendly gardes with all her heart, and followed their advice. She sent to take three places in the diligence, but there were none to be had for a fortnight, as so many people who were emigrating travelled by it for greater safety.
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THREE:From the care of the Dauphin and Dauphine, who had exercised the most affectionate supervision over them, their children passed to that of their grandfather, who, though he was fond of his daughters, cared very little about his grandchildren, never inquiring about their studies, conduct or habits. He only saw them at the hours required by etiquette, when he embraced them with ceremony; but he took care that they were treated with all the homage due to the ¡°Children of France,¡± and gave orders that their wishes were always to be gratified.
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FORE:Dominus salvum fac regem.¡± [85]
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FORE:Often the composers Gr¨¦try, Sacchini and Martini had portions of their operas performed there before their first representation at the theatre, the singers were Garat, Asv¨¦do, Richer, Mme. Todi, and many well-known amateurs. Cramer and Hulmandel played the piano, Salentin the hautbois, Viotti, Jarnovick, Maestrino, and Prince Henry of Prussia the violin.
¡°It is not I who am in haste; it is the guillotine,¡± replied the stranger. ¡°To-day I am on the suspected list, to-morrow I shall no doubt be condemned. I have children. I wish to leave them a remembrance of me, that is why I come to ask you to paint my portrait. Will you?¡±The Duc de Montpensier came to Tournay to see his brother and sister and then left for Nice.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.Mme. de Genlis, though she did not go much into society, being now exceedingly royalist, was [476] presented at court, and must have recalled those far off days when she drove down to Versailles with Mme. de Puisieux to be presented to the magnificent Louis XV.
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