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THE Duke of Orlans died 1785, and Mme. de Montesson, having been forbidden by Louis XVI. to put her household into mourning or assume the position of a Duchess Dowager of Orlans, retired for a few weeks into a convent and then returned to her usual life, having inherited a great fortune from the late Duke.TWO years after her marriage the Duchesse dAyen had a son who, to her great grief, lived only a few months, and whose death was followed by the birth of Louise, called Mlle. de Noailles, Adrienne Mlle. dAyen, Thrse Mlle. dEpernon, Pauline Mlle. de Maintenon, and Rosalie Mlle. de Montclar.
ONE:Thus happily and peacefully the rest of her life flowed on; her interest in all political and social mattersart, science, and literatureremaining undiminished, her affection for old friends unaltered, while new ones were constantly added to the number, until on May 29, 1842, she died at the age of eighty-seven.Louis XVI., the only one of the family who saw the necessity of order and economy, was furious, and declared that the treasury of the State should not be squandered to satisfy the fancies of a prostitute, that the Comte dArtois must manage as he could, that he forbade Turgot to give him the money, and that the Comte dArtois was to be sent to him at once. THREE:The Duchesse de Chartres, ne Mlle. de Penthivre, was an angel of goodness and kindness. She had conceived so violent a passion for the Duc de Chartres, when she had met him for the first time, that she declared she would either marry him or take the veil. It was a most unfortunate choice to have been made, especially by so saintly a personage, for the court and society of Louis XV. did not include a more corrupt and contemptible character than the notorious Philippe-galit.
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TWO:The long galleries of pictures and statues, the lovely churches filled with gems of art, the stately palaces and gardens, the cypress-crowned heights of San Miniato, and the whole life there, were enchanting to Lisette. She had been made a member of the Academy at Bologna; she was received with great honour at Florence, where she was asked to present her portrait to the city. She painted it in Rome, and it now hangs in the Sala of the great artists in the Uffizi. In the evening she drove along the banks of the Arnothe fashionable promenade, with the Marchesa Venturi, a Frenchwoman married to an Italian, whose acquaintance she had made. Had it not been for her anxiety about what was going on in France she would have been perfectly happy, for Italy had been the dream of her life, which was now being realised.

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FORE:

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FORE:Lisette was now rapidly becoming very pretty, to the great satisfaction of her mother, who, seeing that in spite of her busy life and deep interest in her work, her spirits still suffered from the loss of her father, tried to give her all the distraction possible. She would take her to walk in the Tuileries gardens, where the beauty of both mother and daughter attracted much attention; and what pleased her most, to see all the picture galleries possible. They often went to the Luxembourg, in the galleries of which were then the Rubens and many others of the old masters now in the Louvre; besides which they saw all the good private collections. By far the best at that time was the gallery of the Palais Royal, collected by the Regent, Duc dOrlans. These pictures were sold in the Revolution. Many of them were bought by Lord Stafford.

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FORE:Lisette painted the two Princesses and the Prince Royal before returning to Rome, where she had no sooner arrived than she had to go back to Naples to paint the Queen.

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FORE:THERE was a striking contrast between the position of Louis XVI. and that of his predecessors on the throne of France.Mme. de Genlis was received with affection by her old pupils, and had a pension from them during the rest of her life.

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TWO:Grassini had sung at her London parties, and comparing these two great singers and actressesboth young, beautiful, and celebratedMme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.Yes, citoyenne; why are you at Bordeaux?
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About the former, who was deeply in love with her, and most anxious to make her his wife, she did not care at all. She found him tiresome, and even the prospect of being a princess could not induce her to marry him. Besides, she had taken a fancy to the Marquis de Fontenay, whom she had first met at the house of Mme. de Boisgeloup, who was much older than herself, and as deplorable a husband as a foolish young girl could choose.I did not know, Monsieur, replied he, that one was stupid because one did not put on a stocking well.She felt that she had exchanged security, the protection of a beautiful and well-ordered home, and the society of those she loved and respected, for dependence and danger.* * * * *His first question was for his son, and Pauline really dared not tell him where he was, but when he asked whether he would be long absent, replied No. She felt very guilty and unhappy because she was deceiving him; but fortunately he only stayed in London a short time during which he was out day and night; and suddenly he went away on business to another part of England. Meanwhile Pauline thought she would start for France, leaving a letter to M. de Beaune to confess the whole matter.She spoke in the inflated style of the time, which belonged especially to the ranting, extravagant, theatrical phraseology of that strange collection of individuals who now held supreme power in the country so recently the most civilised and polished in the world.
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