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A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

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Close to a temple, of which the cornice is decorated with female figures holding musical instruments, on a sort of terrace a party of youths were making a distracting din with brass instruments, acutely shrill, and, of course, tom-toms. Two very small temples covered with brass that shines like gold stand in the bazaar to mark the beginning and end of the coppersmiths' quarter, where every stall rings with the tinkle of the little hammers tapping the metal that is beaten into trays and pots and a thousand vessels for the worship of the gods and for domestic purposes. Workmen aged four, the great-grand-sons of the master-smith, were already trying their 'prentice hand, chiselling the hard metal with a free touch, and ornamenting cups and bowls of traditional shape. And this is the only part of the calm and lazy city, living on its temples and its sacred river,[Pg 161] where the visitor feels himself a "tourist." Here the shops for the special craft of Benares are furnished with the unwonted luxury of chairs, and some display of signs and wares is made. Further on is a large open place full of piles of flowers, garlands of jasmine and marigold, and heaps of rose petals to be strewn on the water.

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TWO:In booths between these houses, the gamblers, standing round a board with numbered holes, were watching the ball as it slowly spun round, hit the edge, seemed to hesitate, and at last fell into one of the cups. Four-anna pieces, ten-rupee notes��anything will serve as a stake for the Hindoo ruffian in a starched shirt-front, low waistcoat and white tie, above the dhouti that hangs over his bare legs; or for the half-tipsy soldier and sailor,[Pg 28] the cautious Parsee who rarely puts down a stake, or the ragged coolie who has come to tempt fortune with his last silver bit.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zich meebrengt. Onze enige missie is dat jij de best geklede man van de omgeving bent. Laat gratis een op eden box samenstellen door je personal shopper en betaal.

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TWO:

THREE:

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:Beyond this point among the mountains the road seemed to vanish, to lead nowhere, lost in pale red among the red cliffs, as if it stopped at the foot of the rocky wall.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

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Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

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THREE:Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:Along Back Bay lies the Malabar Hill, a promontory where the fashionable world resides in bungalows built in the midst of gardens. Palm trees spread their crowns above the road, and on the rocks which overhang the path ferns of many kinds are grown by constant watering. The bungalows, square houses of only one storey, surrounded by wide verandahs, and covered in with a high, pointed roof, which allows the air to circulate above the ceilings, stand amid clumps of bougainvillea and flowering jasmine, and the columnar trunks of coco-palms, date trees, baobabs and areca palms, which refresh them with shade.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

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THREE:

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.Then some men go past who have a stick like a distaff thrust through their belt with a net wound round it; they net as they walk, heedless of jostling, their eyes fixed on their work.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

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TWO:At the back of the room the master of the house squatted on the floor, dressed in green richly embroidered with gold, and on his head was a vase-shaped cap or tiara of astrakhan. Near him, in an armchair, sat a perfectly naked fakir, his breast covered with jade necklaces. His face was of superhuman beauty, emaciated, with a look of suffering, his eyes glowing with rapt ecstasy. He seemed to be entranced, seeing nothing but a vision, and intoxicated by its splendour.Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch.

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Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club

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Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club

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Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club

TWO:The old palace of the kings is now yellow-ochre, coated with plaster and lime-wash over the splendid antique marble walls.The doors were shut; all was silence��the stillness of the star-lit night.

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"Farewell," said he, "and may the Almighty protect you, for you look kind."Between the cliff-walls of the defile, in a sort of bay, stands Ali Musjid, a little white mosque where travellers tarry to pray.Out of doors, meanwhile, one funeral procession almost trod on the heels of the last; at the latest gleam of day, and out towards the west, above the Field of Burning, a broad red cloud filled all one quarter of the sky.Dewani Khas, the great hall of audience, on columns open on all sides to the sky and landscape, overlooks a pit about thirty paces away where tigers and elephants fought to divert the sultan and his court. At the threshold is a large block of black marble��the throne of Akbar the Great. At the time of the incursion of the Jats, who drove the emperor from his palace, as soon as the usurper took his seat, the stone, the legend tells, split and shed blood; the iridescent stain remains to this day.

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