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In art, as in everything else, it was still the age of the artificial. The great wigs and flowing drapery of the last reign had given place to powder and paint, ribbons and pompons, pink roses, and pale blue satin or velvet, la Pompadour.
TWO:Just after the September massacres Mme. de Genlis received a letter from the Duc dOrlans desiring her to bring his daughter back to France at once, to which she replied that she should do nothing of the sort, and that it would be absurd to choose such a time for entering France.

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THREE:There was at this same time a perfect rage for fortune-telling, second sight, and every sort of occult knowledge and experiences.Jeanne Le Brun was, according to her mother, pretty, clever, extremely well-educated, charming in manner, and universally admired. Allowing for her infatuation, it was probable that her daughter was attractive. She was now seventeen, and went into society with her mother, whose foolish admiration and flattery encouraged all her faults.
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THREE:Now Mme. de Genlis had without the least doubt many good and distinguished qualities, and as we all know, human nature is fallible and inconsistent; but it would surely have been better that a woman, [407] who could coolly and deliberately arrange such a marriage for her young daughter, simply and solely from reasons of worldly ambition, should not talk so much about disinterested virtue, contempt of riches, and purity of motives.

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THREE:Macdonald, Marmont, and other generals were pointed out during the evening; it was a new world to her.

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In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.It was in the year 1801 that she received permission to return to France.Caresne was a painter and poet whose poems and pictures were bad, but his conversation amusing. He wrote the following verses to Lisette, whose rapid progress and intelligence made her seem to be already passing out of childhood into girlhood:
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