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All round the post-office there is invariably a crowd of natives scribbling in pencil on post-cards held in their left hands. Their correspondence is lengthy, minute, and interminable; in spite of their concentration and look of reflection I could never bring myself to take them seriously, or feel that they were fully responsible for their thoughts and actsmachines only, wound up by school teaching, some going out of order and relapsing into savages and brutes.Shortly before sunset the dastour arrivesthe high priestin white, with a white muslin turban[Pg 15] instead of the wax-cloth cap worn by other Parsees.Beyond the temples is the merchants' quarter: a few very modest shops, the goods covered with dust; and in the middle of this bazaar, a cord stretched across cut off a part of the town where cholera was raging.
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ONE:

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TWO:And from every stone, and in the rifts in the rocks, hung stalactites, like glittering icicles, and these too were of salt.

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TWO:We met a native on horseback; a pink turban and a beard also pink, with a round patch of intensely black skin about his mouthwhite hair dyed with henna to make it rose-colour; and a lock of hair that showed below his turban was a sort of light, dirty green in hue, like a wisp of hay. The rider, well mounted on his horse, was deeply contemptuous of us, sitting in an ekkathe vehicle of the vulgar; and he passed close to us[Pg 268] muttering an insult in his pink beard trimmed and combed into a fan.

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TWO:We saw the Jasmine tower from a corner of the garden in the glow of sunset. With its gilt cupola blazing in the low beams, its amber-hued walls as transparent as melting wax, and its pierced screen-work, it looked so diaphanous, so fragile, that it might be carried away by the evening breeze. And beyond the pavilion, above the ramparts carved with huge elephants, lies the old Hindoo palace, deserted by Jehangir for his house of pale marblesan endless palace, a labyrinth of red buildings loaded to the top with an agglomeration of ornament supporting flat roofs. And pagodas that have lost their doors, a work of destruction begun by Aurungzeeb. One court is still intact, overhung by seventy-two balconies, where the zenana could look on at the dancing of bayadres. Perfect, too, is the queen's private apartment, with two walls between which an army kept guard by day and by night.All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.

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TWO:

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TWO:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.
FORE:

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FORE:For another minute the sublime ice-peak remained visible through the gauzy whiteness, and then a cloud rising from beyond the range descended on the heights and gradually enfolded the whole chain.

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FORE:A kind of grey snipe, as they rose to fly, spread white wings which made them look like storks or gulls, and then, dropping suddenly, became dull specks again, scarcely distinguishable on the margin of the tank. Ibis, on the watch, with pretty, deliberate, cautious movements, stood on one leg,[Pg 105] their bodies reflected in the mirror on which lay the lotus and the broad, frilled leaves of the water-lily, and a sort of bind-weed hanging from the edge in festoons of small, arrow-shaped leaves, with a crowd of tiny pink starry flowers that looked as if they were embroidered on the water.

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FORE:For another minute the sublime ice-peak remained visible through the gauzy whiteness, and then a cloud rising from beyond the range descended on the heights and gradually enfolded the whole chain.

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FORE:

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FORE:To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest classembroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.

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FORE:A regiment of artillery was marching into quarters. The Highlanders' band came out to meet them: four bagpipes, two side drums, and one big drum. They repeat the same short strain, simple enough, again and again; in Europe I should, perhaps, think it trivial, almost irritating, but here, filling me as it does with reminiscences of Brittany, especially after the persistent horror of tom-toms and shrill pipes, it strikes me as delightfulI even follow the soldiers to their quarters.On the remains of the pyre was placed a corpse of spectral emaciation, which had been lying at the top of the bank since the day before for its turn, as a pauper, to be cremated at the cost of the municipality. The head alone was wrapped in a wretched rag, and creeping flies formed a cuirass on the dark skin, already torn in places by the kites. Petroleum was poured over the hapless body, and it flared up with the wood in a livid pink and green blaze, sending up a cloud of acrid red smoke.

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TWO:There was a sort of murmur behind the door, like reciting a prayer, then louder tones, indeed a very loud shout, repeated three times by several voices at once; and then the one alone continued in a dull chant. The door was half opened and I was beckoned, but to enter alone.

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THREE:There are temples all along the shore, poor little structures for the most part. On the walls gaudy borders of crude colour serve to frame chromo-lithographs representing the principal events of the Vedas. There are but one or two sanctuaries built of marble, and very rarely have the idols any precious jewels.

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THREE:Another templecarved and pierced, and loaded and overloaded with ornament. In the crypt was a bas-relief representing the ceremony of marriage: the procession, the couple in front of the altar, the relations sitting round, all alike in the same crouching attitude, like toys set out by a little child. Then the model of a very famous temple elsewhere in India: columns, gateways, statues of the gods, all reproduced with microscopic exactitude down to the minutest details; and surrounding this tiny model a bas-relief of the most bewildering perspectivea plan of Satrunji with its fifty-two principal temples, its trees and sacred tanks; and as a pendant to this representation, a circular carving giving a bird's-eye view of the crowd, the same little doll-like figures[Pg 79] repeated again and again, coming to worship with arms and legs spread out, grovelling, as if they were swimming.Under the central dome sleeps Mumtaj-Mahal, the well-beloved sultana, for whom Shah Jehan erected the most beautiful mausoleum in the world.

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THREE:Opposite a large tank, where a tall column rises from the water in memory of the victims of the Mutiny, and where a party of the votaries of Siva are performing their pious ablutions, a building stands in the Hindoo-Jesuit style of architecture. It is heavy, with white carvings above its pink paint, and with columns supporting turrets crowned with large lion-faces, the masks only, in the Indian manner, daylight showing through the jaws and eyes, and the profiles absurd, shapeless, and unmeaning. This is the college of La Martinire.
TWO:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the grounda colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."At a turn in the road the view opened out to a[Pg 249] distant horizon; the plain of Peshawur, intensely green in contrast with the rosy tone of the foreground; and far away the Himalayas, faintly blue with glaciers of fiery gold in the sun, against a gloomy sky where the clouds were gathering.

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As we passed the sacred tanks, where a smell of decay filled the air that still rang with the cries of the bats, our horses suddenly shied and refused to go forward, terror-stricken by some invisible danger suggested to them by that reiterated shriek or the corpse-like smell. A very long minute passed as we sat in the carriage, a minute of dread that left us quite excited by this mysterious peril of which we had somehow felt the awe. Nor was it till we had left the great trees by the tanks behind us that the impression wore off under the comforting light of the stars.Very late in the evening came the sound of darboukhas once more. A throng of people, lighted up by a red glow, came along, escorting a car drawn by oxen. At each of the four corners were children carrying torches, and in the middle of the car a tall pole was fixed. On this, little Hindoo boys were performing the most extraordinary acrobatic tricks, climbing it with the very tips of their toes and fingers, sliding down again head foremost, and stopping within an inch of the floor. Their bronze skins, in contrast to the white loin-cloth that cut them across the middle, and their fine muscular limbs, made them look like antique figures. The performance went on to the noise of drums and singing, and was in honour of the seventieth birthday of a Mohammedan witch who dwelt in the village. The car presently moved off, and, after two or three[Pg 49] stoppages, reached the old woman's door. The toothless hag, her face carved into black furrows, under a towzle of white hair emerging from a ragged kerchief, with a stupid stare lighted up by a gleam of wickedness when she fixed an eye, sat on the ground in her hovel surrounded by an unspeakable heap of rags and leavings. The crowd squeezed in and gathered round her; but she sat perfectly unmoved, and the little acrobats, performing in front of her door, did not win a glance from her. And then, the noise and glare annoying her probably, she turned with her face to the wall and remained so. She never quitted her lair; all she needed was brought to her by the villagers, who dreaded the spells she could cast. Her reputation for wisdom and magic had spread far and wide. The Nizam's cousin, and prime minister of the dominion, never fails to pay her a visit when passing through Nandgaun, and other even greater personages, spoken of only with bated breath, have been known to consult her."It is made at thirty-five, twenty, fifteen rupees."
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