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Balls were not then the crushes they afterwards became. The company was not nearly so numerous; there was plenty of room for those who were not [54] dancing to see and hear what was going on. Mme. Le Brun, however, never cared for dancing, but preferred the houses where music, acting, or conversation were the amusements. One of her favourite salons was that of the charg�� d��affaires of Saxony, M. de Rivi��re, whose daughter had married her brother Louis Vig��e. He and her sister-in-law were constantly at her house. Mme. Vig��e acted very well, was a good musician, and extremely pretty. Louis Vig��e was also a good amateur actor; no bad or indifferent acting would have been tolerated in the charades and private theatricals in which Talma, Larive, and Le Kain also took part.

ONE:The third portrait Mme. Le Brun retained in her own possession��for she had begun it in September, 1789, when the terrors of the Revolution were beginning. As she painted at Louveciennes they could hear the thunder of the cannonades, and the unfortunate Mme. Du Barry said to her��

ONE:She had stopped to change horses and found that she could get none, as they were being sent all over the country to convey the news. She was consequently obliged to remain all night in her carriage, which was drawn up by the roadside close to a river, from which blew a bitterly cold wind.

ONE:The most important part of the tour to Mme. Le Brun was her visit to Antwerp, then a medi?val city of extraordinary beauty and interest, which have only, in fact, of comparatively recent years been destroyed by the vandalism of its inhabitants. So striking was its appearance, with its walls, gates, and forest of towers rising from the broad Scheldt, that Napoleon, enchanted with its beauty, said it looked like an Arab city, and he gazed upon it with admiration.

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TWO:It was no wonder that Napoleon was anxious to get his court and society civilised, and the person to whom he chiefly turned for help and counsel in this matter was Mme. de Montesson, who knew all about the usages of great society and court etiquette.

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THREE:

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THREE:��Because she will die.��We started the next morning; M. le Duc gave me his arm to the carriage; I was much agitated, Mademoiselle burst into tears, her father was pale and trembling. When I was in the carriage he stood in silence by the door with his eyes fixed upon me; his gloomy, sorrowful look seeming to implore pity.

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THREE:Young and unknown, he had been present with Bourrienne on the 20th June, and seen the raving, frantic mob rushing upon the Tuileries. He followed with Bourrienne in a transport of indignation, and saw with contempt Louis XVI. at the window with a red cap on. He exclaimed��

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THREE:The Chevalier tore away his arm, the Marquis struck him a furious blow, the police interfered, and took them both to the Commissaire de la section. The Marquis was released and the Chevalier �� sent to the Luxembourg.

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THREE:

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THREE:Que vous les avez prises.

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TWO:Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Pauline��s great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagu��s grandmother, Laure de Fitzjames, grand-daughter of James II. of England.

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THREE:

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THREE:Paying no attention to this order, Mme. de Genlis continued her journey to Belle Chasse, where she found her husband, the Duke, and five or six others.

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THREE:

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TWO:

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The Empress was not in the least like what she had imagined. Short and stout, though exceedingly dignified, her white hair was raised high above her forehead, her face, still handsome, expressed the power and genius which characterised her commanding personality, her eyes and her voice were gentle, and her hands extremely beautiful. She had taken off one of her gloves, expecting the usual [126] salute, but Lisette had forgotten all about it till afterwards when the Ambassador asked, to her dismay, if she had remembered to kiss the hand of the Empress.Combien de juges merc��naires,Aix-la-Chapelle was crowded with emigr��s, among whom she found many friends and relations. They met chiefly in the salon of her cousin, the Comtesse d��Escars; every one had relations with the army of Cond��, in prison, in deadly peril, or even already murdered. The society was chiefly composed of old men, priests and women, whose lives were a perpetual struggle with poverty hitherto unknown to them.[x]

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