TWO:76In the driving gearing of planing machines, conditions which favour the reversing movement are high speed and narrow driving belts. The time in which belts may be shifted is as their speed and width; to be shifted a belt must be deflected or bent edgewise, and from this cause wind spirally in order to pass from one pulley to another. To bend or deflect a belt edgewise there will be required a force in proportion to its width, and [133] the time of passing from one pulley to another is as the number of revolutions made by the pulleys.
当社は昭和13年の設立以来、つねに時代のニーズに即した製品をめざし、新技術?新製品の開発を重ねてきました。 中でもアルコール蒸留技術は、国内業界のパイオニアとして目覚ましい成長発展を遂げ、80年にわたる実績を築きあげました。そして今、その歴史によって培われた経験と技術力は化学?食品?薬品?産業機械など、幅広い分野で生かされています。今後はさらに新時代に向けた技術革新を積極的に進めると同時に、新分野の開拓にも意欲的に取組み、一層の発展を図っていきます。
| 社名 | 日本化学機械製造株式会社
（英文名称 Japan Chemical Engineering & Machinery Co., Ltd.） |
|---|---|
| 代表者 | 取締役会長 高橋 正一
取締役社長 髙橋 一雅 |
| 所在地 | 〈本社?工場〉 〒532-0031
|
| 設立 | 昭和13年10月31日 |
| 資本金 | 2億7千5百万円 |
| 事業内容 | 化学機械?化学装置、燃焼装置、超低温液化ガス機器の設計、製作、販売 |
| 当社の特色 |
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| 従業員数 | 160人（2019年4月現在） |
| 年間売上高 | 6,119百万円（2019年4月決算） |
| 取引銀行 | りそな銀行堂島支店 三井住友銀行十三支店 池田泉州銀行庄内支店 関西みらい銀行十三支店 滋賀銀行新大阪支店 三菱UFJ銀行梅田中央支店 |
| 許可登録 | 特定建設業許可 国土交通大臣許可（特27）第5208号
一級建築士事務所 大阪府知事登録(ロ)第24084号 その他の認可?承認?認定の詳細はこちら |
| 取得 マネジメント システム |
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TWO:This process was conceived by Aeschylus as a conflict between two generations of gods, ending with their complete reconciliation. In the Prometheus Bound we have the commencement of the conflict, in the Eumenides its close. Our sympathies are apparently at first intended to be enlisted on behalf of the older divinities, but at last are claimed exclusively by the younger. As opposed to Prometheus, Zeus is evidently in the wrong, and seeks to make up for his deficiencies by arbitrary violence. In the Oresteia he is the champion of justice against iniquity, and through his interpreter, Apollo, he enforces a revised moral code against the antiquated claims of the Erinyes; these latter, however, ultimately consenting to become guardians of the new social70 order. The Aeschylean drama shows us Greek religion at the highest level it could reach, unaided by philosophical reflection. With Sophocles a perceptible decline has already begun. We are loth to say anything that may sound like disparagement of so noble a poet. We yield to none in admiration for one who has combined the two highest qualities of artsweetness and strengthmore completely than any other singer, Homer alone excepted, and who has given the primordial affections their definitive expression for all time. But we cannot help perceiving an element of superstition in his dramas, which, so far, distinguishes them unfavourably from those of his Titanic predecessor. With Sophocles, when the gods interfere, it is to punish disrespect towards themselves, not to enforce justice between man and man. Ajax perishes by his own hand because he has neglected to ask for divine assistance in battle. Laius and Jocast come to a tragic end through disobedience to a perfectly arbitrary oracle; and as a part of the same divine purpose Oedipus encounters the most frightful calamities by no fault of his own. The gods are, moreover, exclusively objects of fear; their sole business is to enforce the fulfilment of enigmatic prophecies; they give no assistance to the pious and virtuous characters. Antigon is allowed to perish for having performed the last duties to her brothers corpse. Neoptolemus receives no aid in that struggle between ambition on the one hand with truthfulness and pity on the other which makes his character one of the most interesting in all imaginative literature. When Athn bids Odysseus exult over the degradation of Ajax, the generous Ithacan refuses to her face, and falls back on the consciousness of a common humanity uniting him in sympathy with his prostrate foe."You or I, or both of us, are followed," she said. "Come this way. Peep out of the window without lifting the blind. What do you see?"