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THREE:"Who--o?" It was not one who asked; the whos came like shrapnel; and when, not knowing what else to do, I smiled as one dying, there went up a wail of mirth that froze my blood and then heated it to a fever. The company howled. They rolled over one another, crying, "Charlie Toliver!--Charlie Toliver!--Oh, Lord, where's Scott Gholson!--Charlie Toliver!"--and leaped up and huddled down and moaned and rolled and rose and looked for me.

FORE:"In the first place, the bowl of plain porcelain is ground, so that the enamel will stick closely, which it would not do if the surface were glazed. Then the artist makes a design, on paper, of the pattern he intends putting on the bowl. When his design is finished, he lays it on a flat surface, and takes little pieces of brass wire which has been passed between rollers so that it becomes flattened; these he bends with pincers, so that they take the shape of the figure he wants to represent. Thus he goes over his whole design until every part of the outline, every leaf, flower, and stem��in fact, every line of his drawing��is represented by a piece of wire bent to the exact shape. The wire then forms a series of partitions; each fragment of it is a cell, or cloison, intended to retain the enamel in place and keep the colors from spreading or mingling. That is the first step in the work. FORE:[Pg 157]