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That is just what I need, maam, Sandy told her.
THREE:We know what happened. Jeff signaled, but he knew the amphibian was coming, and the seaplane, to make sure neither would break down and leave him helplesswhile he supervised, Sandy had good going now, the seaplane got the life preserver, and then Jeff decided that they might get away, tried to followand while the seaplane was flying, its passenger got the emeralds free of the life preserver, and then

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THREE:Down the backbone of Long Island, not very high, they flew. The farms, landscaped estates and straight roads of the central zone were in striking contrast to the bay and inlet dented North Shore with its fleets of small boats, its fishing hamlets, rolling hills and curving motor drives and the seaside with its beach resorts, yellow-brown sand and tall marsh grass clustered between crab-infested salt water channels.DEFEAT OF GENERAL BRADDOCK IN THE INDIAN AMBUSH. (See p. 119.)

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THREE:That-there is good sense. Jeff started toward the flying field. The fellow we didnt find might come back for the emeralds.

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FORE:"And you think there will be trouble?" He knew that the buck had come there for nothing but to inform.Mrs. Lawton started forward in her chair. "What's he in for now? Ain't it for this?" she demanded.

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FORE:And in that ridiculous position Dick, a hero upside down, came to earth at the end of Sandys birthday flighton the thirteenth, a Friday, as Jeff, white and shaken, hastened to remind them.

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FORE:I see one of the emeralds

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THREE:Cairness watched how strong and erect and how sure of every muscle she was, and how well the blond little head looked against the dull blackness of the mother's hair. The child was in no way like Felipa, and it had never taken her place in its father's love. He was fond of it and proud, too; but, had he been put to the test, he would have sacrificed its life for that of its mother, with a sort of fanatical joy.

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THREE:As they reached the vicinity of its starting point and called and searched for Sandy, they heard the drone of another engine and saw the red-and-green and the white flying lights of what must be Tommys craft, also going northerly in pursuit.

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The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.Sir Samuel Garth, author of "The Dispensary," a mock-heroic poem in six cantos, and Sir Richard Blackmore, another physician, and author of a whole heap of epics in ten or twelve books eachas "King Arthur," "King Alfred," "Eliza," "The Redeemer," etc.may still be found in our collections of verse, but are rarely read. Dr. Young's "Night Thoughts" yet maintain their place, and are greatly admired by many, notwithstanding his stilted style and violent antithesis, for amid these there are many fine and striking ideas.CHAPTER XII THE HOODOOED AIRPLANE
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