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The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said

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One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.The ancien rgimeClose of the reign of Louis XIV.The Regent OrlansThe court of Louis XV.The philosophersThe artistsM. Vige.
  • THREE:[99]
  • THREE:She had written to ask a refuge of her uncle, the Duke of Modena, who sent her some money, but said political reasons prevented his receiving her in his duchy. The poor child, naturally merry and high-spirited, had grown quiet and sad, though she bore without complaining the hardships of her lot.
  • THREE:The one she liked best was Marly-le-Roi, a royal palace entirely destroyed in the Revolution. It was then an abode of enchantment, and she always spoke with rapture of the chateau with its six pavilions, its trellised walks covered with jasmin and honeysuckle, its fountains, cascades, canal, and pools upon which floated tame swans, its lawns shaded by enormous trees, its terraces and statues, everything recalling Louis XIV. Here for the first time she saw Marie Antoinette, then Dauphine, walking in the gardens with several of her ladies, all dressed in white.
  • THREE:Mme. de Boisgeloup, however, received the children with the greatest kindness, her two boys were companions for the young Cabarrus, and as for Trzia, she loved and treated her like a daughter. They lived in the rue dAnjou, and when the following year her father arrived at Paris and bought a h?tel in the place des Victoires she still spent less of her time with him than with her.
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TWO:Je nai point les chemisesAfter the death of her eldest boy, the sight of this picture so affected the Queen that she had it removed, taking care to explain to Mme. Le Brun that this was done only because she could not bear to see it, as it so vividly recalled the child whose loss was at that time such a terrible grief to her.
FORE:She was herself most anxious to get out of France, but in spite of her representations the journey kept being put off on various excuses until the autumn, when one day M. de Valence, who had also a post in the Palais Royal, told her that the Duke was going to England that night, which he did, leaving her a note saying he would be back in a month.

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TWO:M. de Genlis, who had also a post at the Palais Royal, was nursing her, and her mother came every day to see her.CHAPTER III
FORE:Lisette, in fact, liked to paint all the morning, dine by herself at half-past two, then take a siesta, and devote the latter part of the day and evening to social engagements.

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TWO:[303]What gives you the right to laugh at us, Monsieur? asked one of them, with irritation.
FORE:

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[359]Such brilliant assemblies are not to be seen in these days. Not only the great political and social personages, but all the celebrated literary and scientific men, poets, painters, composers, musicians, and actors, were to be found there, and the music was the best to be heard in Paris.Only a royalist would say that!Paris seemed to be awaking into life again; the streets were more animated, the people to be seen in them were more numerous and did not all look either brutal or terror-stricken. Art, literature, and social gaiety began to revive.So that one would be quite alone? No one could hear anything that went on there?Paying no attention to this order, Mme. de Genlis continued her journey to Belle Chasse, where she found her husband, the Duke, and five or six others.Emigrate? I never thought of such a thing. We were going to Spain to see my father, who is there.
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