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Mme. de Genlis had taken rooms close to the Chauss dAntin, and began to look after her affairs, which were in a most dilapidated state. Nearly all the property she left at Belle Chasse had been confiscated, she could not get her jointure paid by the persons who had got hold of it, and though Sillery had been inherited by Mme. de Valence, to whom she had given up all her own share in it, Mme. de Valence had let her spendthrift husband waste the fortune and afterwards sell the estate to a General who married one of his daughters, and who partly pulled down the chateau and spoiled the place.

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The lofty asceticism of her theories and practice was perhaps almost too severe for ordinary mortals living in the world, and in some respects better adapted for a monastic than a secular life; her emigration, so long delayed, was no time of success and happiness: long years of terror, danger, poverty, fearful trials, and sorrows endured with heroic fortitude and angelic patience, passed before she was restored to France and to the ancient castle which was the home and refuge of her later life.Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.
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THREE:

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THREE:The poor Countess! I am representing her reading a romance with the arms of the King. She is the only person who holds to the King now.

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ONE:This, however, neither the Princes of the blood, the nobles, nor the French nation would stand, and the project had to be relinquished; but the rapacity and outrageous arrogance and pretensions of les batards, as they were called, had aroused such irritation and hatred that Louis XV. took care to go into the opposite extreme. Unlike his predecessor, he cared nothing for the children of his innumerable liaisons, which were of a lower and more degraded type than those of his great-grandfather. He seldom recognised or noticed these children, made only a very moderate provision for them, and allowed them to be of no importance whatever.
FORE:

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FORE:As to La Fayette, he had rushed to Paris, violently reproached the Assembly for the attack on the Tuileries, demanded the punishment of the Jacobins, and offered to the King the services which were of no value, and which, as long as they had been of any use, had been at the disposal of his enemies.The ease and gentle gaiety which pervaded these light evening repasts gave them a charm which was never found in a dinner-party; there was a kind of intimacy and confidence amongst the guests, who, being perfectly well-bred people, knew how to dispense with all formality and restraint.

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FORE:

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Then they went to Paris, where her first child, a daughter, was born.He sent a number of the printed copies of his opinion on the Kings trial, desiring that some might be forwarded to England. It was as follows:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.
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