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All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.
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THREE:The following Thursday morning the Empress did not ring as usual at nine oclock. They waited till after ten, and then the first femme de chambre went in and found her lying on the floor struck by apoplexy. FORE:

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THREE:Some weeks after their marriage the Comte de Genlis had to rejoin his regiment, which was at Nancy, and as it was then not the custom for officers wives to accompany them, and he thought Flicit too young to be left by herself at a court such as that of Louis XV., he decided to take an apartment for her at Origny, in a convent where he had relations, as people often did in such cases. FORE:It is a dress that belonged to my grandfather, Monseigneur; and I think that if every one here had got on the dress of his grandfather, your Highness would not find mine the most curious in the room.

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THREE:To divert his thoughts and attention from the rigours and cruelties, for the perpetration of which he had been sent to Bordeaux, she persuaded him to have his portrait done, and induced him and the artist to prolong the sittings on pretence of making the picture a chef d?uvre, but in reality to occupy his time and attention; in fact, he was found by some one who called to see him reclining comfortably in a boudoir, dividing his attention between the artist who was painting the portrait and Trzia, who was also present.
  • THREE:Combien de juges mercnaires,

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    FORE:Fille dune sangsue, et sangsue elle-mme

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  • THREE:

    by Daniel Nyari View on Dribbble

    FORE:Perfectly calm and undisturbed, she helped her mother dress, remarking

    Nulla facilisi. Aenn nec eros.…

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  • THREE:Although, thank Heaven, I have never done harm to anybody, she said. I agree with the man who said: They accuse me of having stolen the towers of Notre Dame; they are still in their place, but I am going, for it is clear that they have a grudge against me.The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.

    by Daniel Nyari View on Dribbble

    FORE:

    Nulla facilisi. Aenn nec eros.…

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THREE:It was in the days when the Queen was giving ftes at Trianon, when the court quarrelled about the music of Gluck and Piccini, and listened to the marvels related by the Comte de Saint-Germain, when every one talked about nature, and philosophy, and virtue, and the rights of man, while swiftly and surely the Revolution was drawing near.
THU 14 May, 2015
FORE:

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THU 14 May, 2015
FORE:

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THREE:There was at Versailles a certain Laboull, coiffeur to Louis XV., and to Marie Antoinette when the Dauphine. He invented a perfume which he called eau Antoinette, and which was so much in vogue that he opened a perfume shop at Versailles, which was patronised by Louis XVI. and Marie Antoinette when they came to the throne. He married, and the Queen was very kind to his wife, whom she used to employ in her various charities; and was devoted to her.Another of her fellow-prisoners, equally fascinated by her and able to render her more practical service, was M. de Montrond, a witty, light-hearted sceptic, a friend of Talleyrand.

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Dissatisfied with their answers, he said he suspected them of being emigrs and should take them to Valenciennes. Mme. de Genlis thought they were lost, but with admirable presence of mind, she put her arm within his and walked briskly by his side, chaffing him in an almost unintelligible jargon about his want of politeness, laughing, and appearing quite fearless and indifferent.It was the only safeguard he could have found, as his rank and well-known opinions would have otherwise marked him for destruction.In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.In some cases it was possible to recover part, though often only a fragment of their possessions; in other cases not: it depended to a great extent what or who the forfeited estates belonged to. Sometimes, as in the case of the Duchess dAyen, people who had not emigrated, were allowed, even if they were murdered, to leave their estates to their families; but the whole state of things seemed an inextricable confusion impossible to explain; especially in a work of this kind.
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