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The cathedral, embowered in shrubs and tall banyans, stands on a square, where a pedestal awaits the bust of Dupleix.

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COLOMBOIn a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.
ONE:All round Domel there were fields of lilac lilies among the silky young grass, and the cliffs were[Pg 271] hung with a yellow eglantine exhaling a penetrating scent of almonds.Spread before us in the iridescent atmosphere, the view extends over Palitana under its blue veil of light smoke, over the verdant plain chequered with plots of brown earth, and the winding ribbon of the Satrunji, a river as sacred to the Ja?ns as the Ganges is to the Brahmins. And far away, vague in the distance, a light shimmering more brightly where all is bright, lies the luminous breadth of the sea.

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TWO:By noon, under the torrid blaze which takes the colour out of everything, exhaustion overpowers the city. Vehicles are rare; a few foot-passengers try to find a narrow line of shade close to the houses, and silence weighs on everything, broken only by the buzzing of flies, the strident croak of birds of prey.Out in the street a woman, bare-backed, was submitting to be brushed down the spine by a neighbour with a brush of cuscus; she scorned to answer me when I asked whether she felt better, but shutting her eyes desired the operator to go on more slowly.

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TWO:Elephants, freshly painted, go past begging.Spread before us in the iridescent atmosphere, the view extends over Palitana under its blue veil of light smoke, over the verdant plain chequered with plots of brown earth, and the winding ribbon of the Satrunji, a river as sacred to the Ja?ns as the Ganges is to the Brahmins. And far away, vague in the distance, a light shimmering more brightly where all is bright, lies the luminous breadth of the sea.

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TWO:A very good quail that is often the victor, is worth eight or ten rupees. At a funeral a day or two since one of the bearers had his quail in a cage hanging from his girdlea champion bird he would not part from.An aggressive capital! Palaces of concrete and stucco washed with yellow stand cheek by jowl with commission agencies and hovels, and all without a suspicion of style, not even giving one the impression of a southern city. In the streets, thick with dust, an all-prevailing turmoil as of a fair is prolonged to the latest hours of night. Red uniforms and "young England" tourist suits ending their career in rags on half-breed cooliesa wearisome staleness and total effacement of local colour, worse than commonplace; and then, above all, a very strong and nauseating smell of lotus and tallow, with an after-gust of something peppery and acrid.

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ONE:In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:And at this day the high road passes Secundra Bagh in ruins, and on the ground where Nana Sahib's soldiers fell, huge flowers are strewn of "flame of the forest" fading into hues of blood.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:In the afternoon the Rajah wore a pale green dress embroidered with gold and gems, and sparkling with stones, and a wide rose-coloured sash fringed with pearls. He wore no jewels but priceless diamond buckles in his shoes. As I had lingered long in the morning at a jeweller's shop, the prince wished to show me his possessions. Servants, as solemn as gaolers, brought in many trays covered[Pg 83] with enormous emeralds cut into beads and strung on white cords, necklaces of pear-shaped pearls threaded on almost invisible silk. And then, from among the goldsmith's work, modelled into impossible flowers and chimeras twisted to make heavy anklets, from among coat-buttons, rings and sword-guards sparkling with diamonds, the Rajah took up a costly snuff-box and begged me keep it as a remembrance.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

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TWO:

ONE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weightsdumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake.



FORE:MADRASNot far from Ahmedabad, in a sandy desert[Pg 62] where, nevertheless, a few proliferous baobabs grow, there is a subterranean pagoda drowned in stagnant water that has filled three out of the six floors. These are now sacred baths, in which, when I went there, Hindoos were performing their pious ablutions. Sculptured arcades, upheld by fragile columns, skirt the pools; the stones are green under the water, and undistinguishable from the architecture reflected in the motionless surface that looks blue under the shadow of the great banyan trees meeting in an arch over the temple. A sickly scent of lotus and sandal-wood fills the moist air, and from afar, faint and shrill, the cries of monkeys and minah-birds die away into silence over the calm pool.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:A poor old fellow, behind a grating that shut him into a kind of hovel, called out to us, first beseeching and then threatening, rushing frantically to the back of his hut and at once coming forward again with fresh abuse. He was a dangerous madman, placed there to keep him out of mischief and to be cured by the Divinity.A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:Between the cliff-walls of the defile, in a sort of bay, stands Ali Musjid, a little white mosque where travellers tarry to pray.Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.

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ONE:At mess there were two newly-arrived officers, come from Tochi; they had been attacked on the road in the night by sixteen men. The driver and the horse were killed; they themselves had not a scratch, and they told the story very much at their ease, relating the comic features of the incidenthow a bullet had lodged itself in a pot hanging to a mule's pack, and the frightened creature had kicked "like mad."

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.


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ONE:The old woman's bones and ashes were cast into the Ganges, her husband still vacantly looking on, as all that was left of his life's companion floated for a few moments, and then was swallowed up in an eddy.CAWNPORE

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:MURREE



FORE:In one brilliantly-lighted hall, priests, dressed in long yellow dalmatics, were adoring idols, elephants, Anantas; and from an enormous gold lotus sprang the Mandeel, rising through the dome, its tip standing in the outer air to bear the white flag that is hoisted on high festivals. At the entrance to this shrine parrots in cages suddenly set up a hostile outcry as I passed them, and were only pacified by the coming of a priest, who gave them some food. The clatter, however, had attracted other Brahmins; one of them desired me to leave, "and[Pg 117] at once." I declined to obey, so he sent for the elephant who does duty as police, to turn me out.
Published Aug 30.
TWO:We left the caravan far behind. In the gorge with its rosy-pink soil the silence was exquisite, the air had the freshness of a mountain height, and quite inexplicably amid these barren rocks, where there was not a sign of vegetation, there was a scent of honey and almonds.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.
Published Aug 28.
TWO:

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




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The cathedral, embowered in shrubs and tall banyans, stands on a square, where a pedestal awaits the bust of Dupleix.

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COLOMBOIn a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.

Some Address 987,

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The cathedral, embowered in shrubs and tall banyans, stands on a square, where a pedestal awaits the bust of Dupleix.

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COLOMBOIn a copse, women, surrounded by naked children, were breaking stones, which men carried to the road. The women screamed, hitting the hard pebbles with a too small pick, the children fought, the men squabbled and scolded, and amid all this hubbub three Parsees, sitting at a table under the shade of a tamarind tree, were adding up lines of figures on papers fluttering in the wind. There was not a dwelling in sight, no sign of an encampment, nothing but these labouring folk and the bureaucracy out in the open air, under the beating sun.


THREE:This, then, is the malady of the appalling namethe Plaguehardened glands in the throat or under the arm; the disease that gives its victim fever, sends him to sleep, exhausts, and infallibly kills him.

Some Address 987, NY
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THREE:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.

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THREE:

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FORE:"Dog! traitor! cruel wretch! eater of meat!"
Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the questionMystery broods over this ruined past; grandeur seemed to rise up in the sunset glow. We went[Pg 101] down the hill, while behind us a saffron haze veiled the Royal Hill, effaced every detail of architecture, and shed over all an amethystine halo.Further on we came to a courtyard surrounded by a cloister, where the market for precious stones was held. The empress, invisible under her wrappers of gauze as thin as air, and surrounded by her women fanning her, would come out on her high balcony to choose the gems that pleased her for a moment by their sparkle, and then disappear into the gardens behind insurmountable walls. In another court, a[Pg 209] pool kept stocked with fish gave Shah Jehangir the pleasure of fancying he was fishing.Under an enormous banyan tree, far from any dwelling, two fine statues of an elephant and a horse seemed to guard an image of Siva, rigidly seated, and on his knees an image of Parvati, quite small, and standing as though about to dance.A man went past in heavy, nailed shoes, wrapped in a flowing dhoti; he carried a long cane over his[Pg 267] left shoulder, and as he went he cried, "Soli, soli, a?a soli." All the dogs in the village crowded after him howling; and in the distance I saw that he was walking round and round two carriages without horses, still repeating "Soli, soli."On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.
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