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At Mazagoon, one of the suburbs of Bombay, behold a Parsee wedding.Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.
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Slider 3 ONE:The want of foresight in the people here is amazing. A servant earning five rupees a month got his son married, a child of fifteen, and for this event he bought fireworks on credit, and at enormous interest, which would cost him three years' wages.
ONE:In the town, at a spot where several alleys meet, stood a mob of people holding out the ends of their sarees or dhotis to catch handfuls of grain which a kshatriya was throwing to them from a[Pg 170] window, though he looked almost as ragged as the beggars collected in front of the house.All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.

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THREE:All day long in front of the houses the women were busy clumsily pounding grain with wooden pestles in a hollow made in a log; stamping much too hard with violent energy, they scattered much of the grain, which the half-tamed birds seized as they flew, almost under the women's hands. And then the wind carried away quite half the meal. But they pounded on all day for the birds and the[Pg 263] wind, and were quite happy so long as they could make a noise.

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ONE:Then, in a blaze of coloured fire, a fortissimo of music, and a whirlwind of drapery, they stopped exhausted in front of the idol. The lights were put out, the tom-toms were the only sound, and the procession moved on, escorting the shrine which glittered for some time yet, till it disappeared at an angle, leaving the temple in darkness just tinted blue by the moon.In an alley of the bazaar girls were lounging in hammocks hung to nails outside the windows, smoking and spitting down on the world below.

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THREE:When we left he was in a coppersmith's shop, singing with wide open, staring eyes; his face had a strangely sad expression while he sang a gay, jigging tune to foolish words that made the people laugh.
THREE:In the third-class carriages, where the compartments are divided by wooden lattice, among the bundles, the copper jars, and the trunks painted in the gaudiest colours, sit women in showy saree and decked in all their jewels; children in little silk[Pg 59] coats braided with tinsel, and open over their little bare bodies; men with no garment whatever but a loin-cloth or dhouti. There is endless chatter, a perpetual bickering for places, the bewilderment of those who lose themselves, shouts from one end of the station to the other, and in the foreground of the hubbub the incessant cries of the water and sweetmeat sellers.
THREE:The baboo who has lost caste and been half-civilized in the Anglo-Indian colleges, is always the middleman between the Government and the poor; and he, barefaced and with no pretence of concealment, took twenty per cent. of the wages he was supposed to pay the labourers. And there were none but baboos to superintend the poorhouses and the famine-camps. It is said that during the previous famine some made fortunes of six to eight lacs of rupees (the lac is 10,000).Halting at noon at Kohala, we found a barber in the open street shaving and snipping his customers. In a cage hanging to the bough of a tree above his head a partridge was hopping aboutblack speckled with white, and gold-coloured wings. It had a strident cry like the setting of a saw.
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ONE:Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

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THREE:

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THREE:All round the sanctuary, in niches under a square cloister, are three hundred and fifty alabaster Buddhas, all alike, with the same jewel in their forehead, and on their shoulders and round their bodies[Pg 61] gold bands set with imitation gems and cut glass. An old woman, who had come thither at daybreak, had prayed to each of these Buddhas; to each she had offered up the same brief petition, she had struck the three bells on her way, and she was now in the sanctuary, calling out a prayer while beating a gong that hangs from the arch. Meanwhile other worshippers were murmuring their invocations prostrate before the jewelled Buddha.Shortly before sunset the dastour arrivesthe high priestin white, with a white muslin turban[Pg 15] instead of the wax-cloth cap worn by other Parsees.

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THREE:Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.

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TWO:As we returned, vistas of unreal definiteness showed us endless valleys lost in the distance, and vast spaces cultivated in green and russet stripesthe tea plantations that spread below the now vanished splendour of the snows. At a turning in the road stands a cross, erected there in memory of an epidemic of suicide that broke out among the soldiers of the English forta small structure of stone with an iron roof that faces the heaven-scaling range.

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ONE:Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.

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[Pg 25]In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.At the top, facing two immense rocks that look like couchant lions, there was another palace; one[Pg 100] wall alone is left standing; on the creamy marble a peacock spreads its tail, carved into very delicate sprays and flowers.
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