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THREE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.��I never carried on a single intrigue. I loved the Monarchy, and I spared no efforts to soften and moderate M. le Duc d��Orl��ans,�� not realising that the way to escape suspicion was not to try to soften, but to have nothing to do with him; and that if she loved the Monarchy she had shown her affection in a very strange manner. But she was a strange mixture of great talents and many good qualities with frivolity, inconsistency, and shallowness. For example, when she was told that the Monarchy (which she says she loved) had fallen, and the Republic been declared, her first exclamation was��

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