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TWO:The first step in his rapid rise he is said to have owed to having left about some compromising papers of his friend Chalotais on a bureau, where they were found, and the disclosure of their contents caused the ruin and imprisonment of Chalotais and others, about the year 1763. After this he continued to prosper financially, politically, and [65] socially, until another intrigue raised him to the height of power.

TWO:The child died at five o��clock one morning. ��At the same hour,�� she writes, ��of the same day, I was alone with my nurse, and, raising my eyes to the canopy of my bed, I distinctly saw my son in the form of an angel ... holding out his arms to me. This vision, without exciting any suspicions, caused me great surprise. I rubbed my eyes several times, but always saw the same figure. My mother and M. de Genlis came at about eleven; they were overcome with grief, but I was not surprised, for I [391] knew I was ill enough to make them very anxious. I could not help looking always at the canopy of my bed with a sort of shudder, and my mother, knowing that I was afraid of spiders, asked if I saw one ... at last I said I would not tell them what I saw lest they should think my brain was deranged, but they pressed me until I told them.����Mme. de Montesson was arrested ... in virtue of a decree of the Convention of 4 April, 1793, ... and on the 17th ... was taken to the prison of La Force, from there she was transferred to the Maison d��arr��t Dudreneux, opposite her own h?tel. From the windows of her new prison she had the consolation, if it was one, of contemplating her own garden, into which she could no longer put her foot. She had another, less bitter, her premi��re femme de chambre would not be separated from her, but followed her to prison, and in spite of many obstacles rendered her many services.... This admirable, devoted woman (Mme. Naudet) had left her children to follow her mistress to prison.��

TWO:The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.If the cruel, unjust marriage laws of England, which until a few years ago were in force, had been universally and fully carried out, making the husband an almost irresponsible tyrant and the wife a helpless, hopeless slave, domestic life would have been hell upon earth. But as the great majority of men had no wish to ill-treat their wives, confiscate their money, deprive them of their children or commit any of the atrocities sanctioned by the laws of their country, families upon the whole went on in harmony and affection. It was only now and then, when a man did wish to avail himself of the arbitrary power placed in his hands, that the results of such iniquitous laws were brought before the public. At the same time, however, the knowledge of their existence and the tone of thought, prejudices, and customs which consequently prevailed, had an influence upon men who were not the least tyrannically inclined, but merely acted in accordance with the ideas and opinions of every one around them.

TWO:One day the Baron de Talleyrand announced that [106] the Queen wished her to paint the portraits of her two eldest daughters, whose marriages she was just going to Vienna to arrange. [39]