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THREE:I have explained already in the chapter "Round about Li��ge" that I myself was duped occasionally, for example, by the story of the three hundred civilians who had been shot. To my mind these violent acts at the beginning of the war were part and parcel of the system of frightfulness, by which the Germans tried to scare the population and indirectly the hostile armies, at the same time rousing their own soldiers to anger and fury.The man got more and more excited, but then he was more than "half-seas over." The smoke made him cough and he stuck in the middle of his "swine." He made me shudder, and I hastened to pull out a packet of cigarettes, some of which I gave to him and his mates. In consequence the two others became more communicative, and in touching harmony assured me that:

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THREE:A machine may be mechanically correct, arranged with symmetry, true proportions, and proper movements; but if such a machine has not commercial value, and is not applicable to a useful purpose, it is as much a failure as though it were mechanically inoperative. In fact, this consideration of cost and commercial value must be continually present; and a mechanical education that has not furnished a true understanding of the relations between commercial cost and mechanical excellence will fall short of achieving the objects for which such an education is undertaken. By reasoning from such premises as have been laid down, an apprentice may form true standards by which to judge of plans and processes that he is brought in contact with, and the objects for which they are conducted."Perhaps," Hetty said, after a long pause. "Perhaps. And yet something tells me that you are in great danger. Smile and say something foolish--I feel those eyes going through me. That woman loved you, and you never gave her a thought. You passed her by for me. And who would look at me when she was about?"

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THREE:"You remember the case of my wife?" Charlton asked suddenly. "Ah, I see you do. Well, I am going to tell you my story. You are a man of sentiment and feeling, or your novels greatly belie you. And a doctor always respects confidence. When my wife died there was an inquiry extending over many days. The great question was: Had she poisoned herself, did she take poison by misadventure, or did I kill her? Nine people out of every ten believed I was guilty. I let them believe it at the risk of my neck, and why?"On the other hand, a theory of reasoning based on the relations of concepts, instead of on the relations of judgments, necessarily leaves out of account the whole doctrine of hypothetical and disjunctive propositions, together with that of the syllogisms based on them; since the elements of which they are composed are themselves propositions. And this inevitable omission is the more remarkable because alterna381tive and, to a less extent, hypothetical arguments form the staple of Aristotle��s own dialectic; while categorical reasoning never occurs in it at all. His constant method is to enumerate all possible views of a subject, and examine them one after the other, rejecting those which are untenable, and resting content with the remainder. In other words, he reaches his positive conclusions through a series of negative premises representing a process of gradual elimination. The First Analytics is itself an admirable instance of his favourite method. Every possible combination of terms is discussed, and the valid moods are sifted out from a much greater number of illegitimate syllogisms. The dialectic of Socrates and Plato followed the same procedure. It was essentially experimental��a method of trial, elimination, and selection. On going back still further, we find that when there is any reasoning at all in Homer, it is conducted after the same fashion. Hector, in his soliloquy before the Scaean Gate, imagines three alternative courses, together exhausting the possibilities of the situation. He may either retreat within the walls, or offer terms of peace to Achilles, or fight. The first two alternatives being rejected, nothing remains but the third. This is the most elaborate example; but on many other occasions Homer��s actors are represented as hesitating between two courses, and finally deciding on one of them.

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THREE:

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