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He was deeply in love with Mme. dHarvelay, whose husband was the banker and intimate friend of M. de Vergennes, then Foreign Minister. Mme. dHarvelay, who returned his passion and carried on a secret liaison with him, used her influence with her husband to induce M. de Vergennes to push him on. The husband, who was fascinated by Calonne and did not know or suspect what was going on, was persuaded by his wife one day to write a confidential letter to Vergennes on the subject of the general alarm then beginning to be felt about the disastrous state of the finances and the peril threatening the Monarchy itself, in which he declared Calonne to be the only man who could save the situation. The Court was then at Fontainebleau, and it was contrived that this letter should be shown to the King in the evening, after he had retired to supper with his family.To divert his thoughts and attention from the rigours and cruelties, for the perpetration of which he had been sent to Bordeaux, she persuaded him to have his portrait done, and induced him and the artist to prolong the sittings on pretence of making the picture a chef d?uvre, but in reality to occupy his time and attention; in fact, he was found by some one who called to see him reclining comfortably in a boudoir, dividing his attention between the artist who was painting the portrait and Trzia, who was also present.What is the matter? she exclaimed.
ONE:When she received the ladies of the Court on her accession, Mme. de Clermont-Tonnerre, a thoughtless girl of sixteen, sat on the carpet all the time, hidden by the ladies of the household who stood before her, making grimaces behind her fan, whispering nonsense, pulling the dresses of her companions and making them all, even the Queen herself, unable to restrain their laughter; so that great offence was given and the blame of course laid on the Queen. The King was very angry, sent for Mme. de Clermont-Tonnerre and reprimanded her; whereupon she turned all her spite against the Queen, and all the Clermonts went into opposition.No.
THREE:It was Mme. Jouberthon, afterwards the wife of Lucien Buonaparte.I suppose he who writes so eloquently in LAmi des Citoyens is also the friend of the citoyennes? If you are my friend, for the sake of the citoyenne, Lameth, [98] do not make me appear before that odious tribunal, on which you do not sit.
THREE:[452]It is you who will embrace me! Open the door! Open the door!
THREE:Brussels was crowded with refugees, many of them almost destitute, who sold everything they had, gave lessons in languages, history, mathematics, writing, even riding, but there was so much competition that they got very little.
TWO:

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TWO:

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THREE:
THREE:The Marquis de , a proud, stern man of a reserved and apparently cold temperament, had a young wife whom he adored. Their married life went on prosperously for some years, at the end of which the young Marquise was seized with a fatal illness. When on her death-bed she confessed to her husband, who was nearly frantic with grief, that she had once, several years since, been unfaithful to him, that remorse in consequence had poisoned her happiness, and that she could not die in peace without his forgiveness. The Marquis consented to pardon her fault on condition that she would tell him the name of her seducer, which she did, after having extorted from her husband a solemn promise that he would not challenge him to a duel, as she feared the blood of one or the other might rest upon her soul.
THREE:The Marquise felt that she had gone too far.The King, after the death of Mme. de Pompadour, of whom he had become tired, lived for some years without a reigning favourite, in spite of the attempts of various ladies of the court to attain to that post. His life was passed in hunting, in the festivities of the court, and in a constant succession of intrigues and liaisons for which the notorious Parc aux cerfs was a sort of preserve. His next and last recognised and powerful mistress was Mme. Du Barry.
THREE:Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.
THREE:
THREE:Philippe-galit was now Duc dOrlans, and his eldest son Duc de Chartres. That young prince was about seventeen, and like all the Orlans family, except the Duchess and the Comte de Beaujolais, was thoroughly indoctrinated with the detestable spirit that prevailed at the Palais Royal.

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ONE:FRAN?OIS MARIE AROUET DE VOLTAIREBut she was so ill that she could not stand, and as she lay delirious upon her pallet in a high fever, one of her fellow prisoners called to M. Cazotte, who was also imprisoned there, and was famous for having predicted many things which had always come true, especially for his prophecy at the notorious supper of the Prince de Beauvau, at which he had foretold the horrors of the Revolution and the fate of the different guests, now being, or having been, terribly fulfilled. [105]

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M. de Saint-Aubin, meanwhile, whose affairs, which grew worse and worse, were probably not improved by his mismanagement nor by the residence of his wife and daughter in Paris, stayed in Burgundy, coming every now and then to see them. Mlle. de Mars had left them, to the great grief of Flicit, who was now fourteen, and whom the Baron de Zurlauben, Colonel of the Swiss Guards, was most anxious to marry; but, as he was eighty years old, she declined his offer, and also another of a young widower who was only six-and-twenty, extremely handsome and agreeable, and had a large fortune.Philippe-galit was now Duc dOrlans, and his eldest son Duc de Chartres. That young prince was about seventeen, and like all the Orlans family, except the Duchess and the Comte de Beaujolais, was thoroughly indoctrinated with the detestable spirit that prevailed at the Palais Royal.They are absolutely resolved that you shall do my portrait. I am very old, but still, as they all wish it, I will give you the first sitting this day week.IN 1779 Mme. Le Brun painted for the first time the portrait of the Queen, then in the splendour of her youth and beauty.
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