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ONE:The next who took his trial was Horne Tooke. The evidence was much the same, but the man was different. Tooke was one of the keenest intellects of the time, full of wit and causticity, by which he had worsted even Junius. He summoned as witnesses the Prime Minister himself, the Duke of Richmond, Master-General of the Ordnance, and others of the Cabinet, who had all in their time been ardent Reformers, and cross-questioned them in a style which, if he were guilty, showed that they had once been as much so. Tooke's trial was very damaging to the Government, and he was also acquitted after a trial of six days, during the whole of which the jury had not been allowed to separate, that they might not receive any popular impressions from without��a course which was not calculated to put them in a particularly good humour with the prosecutors.[See larger version] TWO:Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to foot��sturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage �� la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them."It was on foot," says Mounier, "in the mud, and under a violent storm of rain. The Paris women intermixed with a certain number of men, ragged and ferocious, and uttering frightful howlings. As we approached the palace, we were taken for a desperate mob. Some of the Gardes du Corps pricked their horses amongst us and dispersed us. It was with difficulty that I made myself known, and equally difficult it was to make our way into the palace. Instead of six women, I was compelled to admit twelve. The king received them graciously, but separated from their own raging and rioting class, the women were overcome by the presence of the king, and Louison Chabry, a handsome young girl of seventeen, could say nothing but the word 'Bread!' She would have fallen on the floor, but the king caught her in his arms, embraced and encouraged her; and this settled completely the rest of the women, who knelt and kissed his hand. Louis assured them that he was very sorry for them, and would do all in his power to have Paris well supplied with bread. They then went out blessing him and all his family, and declared to those outside that never was there so good a king. At this the furious mob exclaimed that they had been tampered with by the aristocrats, and were for tearing them to pieces; and, seizing Louison, they were proceeding to hang her on a lamp-post, when some of the Gardes du Corps, commanded by the Count de Guiche, "interfered and rescued her." One Brunout, an artisan of Paris, and a hero of the Bastille, having advanced so as to be separated from the women, some of the Guard struck him with the flat of their swords. There was an instant cry that the Guard were massacring the people; and the National Guard of Versailles being called on to protect them, one of them discharged a musket, and broke the arm of M. de Savoni��res, one of the Life Guard. The firing on the Life Guard by the National Guard then continued, and the Life Guard filed off, firing as they went. The mob, now triumphant, attempted to fire two pieces of cannon, which they turned upon the palace; but the powder was wet and would not explode. The king, having meanwhile heard the firing, sent the Duke of Luxembourg to order that the Guard should not fire, but retire to the back of the palace. The mob then retired into Versailles in search of bread, which Lecointre, a draper of the town, and commander of its National Guard, promised to procure them from the municipality. But the municipality had no bread to give, or took no pains to furnish it, and the crowds, drenched with rain, sought shelter wherever they could for the night. The women rushed again into the Hall of the Assembly, and took possession of it without any ceremony. Soon after midnight the roll of drums announced the arrival of Lafayette and his army. An aide-de-camp soon after formally communicated his arrival to the Assembly; that they had been delayed by the state of the roads; and that Lafayette had also stopped them to administer to them an oath of fidelity to the nation, the law, and the king; that all was orderly, and that they had nothing to fear. Lafayette soon after confirmed this by leading a column of the National Guard to the doors of the Assembly, and sending in this message. The Assembly being satisfied, adjourned till eleven o'clock the next day. Lafayette then proceeded to the palace, where he assured the king and the royal family of the loyalty of the Guard, and that every precaution should be taken for tranquillity during the night. On this the king appeared to be at ease and retired to rest. The mob attacked the palace in the night, but Lafayette prevented an assault on the royal family, though two of the[369] Guard were butchered. The king during the night repeatedly sent to inform the deputies of his intention to go to Paris.

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