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Severe as was her loss to Pauline a more terrible calamity happened to her in 1824, in the death of her only son Attale, who was killed by an accident when out shooting, leaving a young wife and children to her care. Email : support@yourdomain.com  |  Download Software / App  |  Call : +61-123-456-789
ONE:The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.
TWO:Why?

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THREE:Next came her twin sister, Henriette, from whom she had parted almost heart-broken, when she reluctantly left France for Parma. Henriette was the Kings favourite daughter, the best and most charming of all the princesses. Lovely, gentle, and saintly, the Duc de Chartres [61] was deeply in love with her and she with him. The King was disposed to allow the marriage, but was dissuaded by Cardinal Fleury. If the Infanta had been in question she would have got her own way, but Henriette was too yielding and submissive. She died at twenty-five years of age, of the small-pox, so fatal to her race (1752) to the great grief of the court and royal family, and especially of the King, by whom she was adored.
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ONE:Most of the great painters were to be found at the house in the rue du Gros-Chenet, where the suppers were as gay and pleasant as of old.
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THREE:She had far better have remained in her old home, poor and free; for directly they were married she discovered the real character of her second husband: an ill-tempered, avaricious man, who refused his wife and step-children even the necessaries of life, although Lisette was foolish enough to give him all she earned by her portraits. She hated him still more because he had taken possession of her fathers clothes, which he wore, to her grief and indignation. Joseph Vernet, who, like many of her old friends, still interested himself in her, was furious at all this, and represented to her that she ought to pay a certain pension to her odious step-father and keep the rest of the money herself; but she feared such a [24] suggestion might make matters worse for her mother, and therefore went on allowing herself to be robbed.

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THREE:The Comte de Sgur was made Master of the Ceremonies by Napoleon when he became Emperor, after which his brother used to put on his cards, Sgur sans crmonies.

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THREE:Flicit seems, however, to have always considered that she made a mistake, or, indeed, as she says, committed a fault, one of the greatest in her life, by doing so; if so, it does not appear to be a surprising one, as the plan certainly would have offered strong attractions and inducements even to a woman less vain and ambitious than she was, but [385] it is certain that it caused many calamities and exercised an evil influence for which no advantages could compensate. She left the h?tel de Puisieux before Madame was up in the morning, as she dreaded the parting, and as her apartment in the Palais Royal was not ready she was lodged in one that had belonged to the Regent, with a door into the rue de Richelieu. She nearly had an accident before she got out of the carriage, and felt low-spirited and unhappy, wishing herself back in her own room at the h?tel de Puisieux as she looked round the luxurious boudoir lined with mirrors, which she did not like at all, and which seemed associated with the orgies of the Regency, of which it had been the scene.Even then they had a third chance of escape, for when the announcement of what was intended arrived, the King was out hunting, the horses were just being put into the carriage of the Dauphin who was going out for a drive, and if the Queen, her children, and Madame Elisabeth had got into the carriage and joined him, they could have fled together. But the idea did not occur to them; they waited till the King returned, and were taken prisoners to Paris next day, escorted by La Fayette, who, though able to protect them from personal violence, was powerless to prevent the horrors and crimes committed by his atrocious followers.

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Trzia remained at Paris, which was soon transformed by the wonderful genius who rose to supreme power upon the ruins of the chimeras with which she and her friends had deluded themselves. The men of the Revolution, regicides and murderers, fled from the country. Napoleon was an enemy of a different kind from Louis XVI., and [344] he was now the idol of the people. His strong hand held the reins of government, his mighty genius dominated the nation and led their armies to victory; the fierce, unruly populace quailed before him. He scorned the mob and hated the Revolution.Yes; and there is nothing in his appearance to justify your horror.And step by step she was drawing away from the Revolution. She had had enough of it, and she began to feel that disgust and horror were taking the place of the frantic admiration she had entertained for it in former years. And the finishing stroke was put by hearing herself called, as she walked with Tallien in Cours la Reine one evening, Notre Dame de Septembre.Pauline recovered from her illness and returned to Paris during the terrible days of October. Everything [217] was changed, the streets were unsafe to walk in, murders were frequent, bands of ruffians went about threatening and insulting every one whom they suspected or disliked. She fetched her two children back to the rue Chantereine, and resumed her charitable expeditions, though it was dangerous to walk about.CHAPTER IXAs the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.
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