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THREE:Her first care had been to release from the Carmes her fellow-prisoners, Jos��phine de Beauharnais and Mme. d��Aiguillon, who now formed an intimate part of her society and that of Barras. To them also came Mme. de Stael, wife of the Swedish Ambassador, the beautiful Mme. Regnault-de-Saint-Jean-d��Angely, Mme. Cambys, and many others thankful to escape from the shadows of prison and death to the light of liberty and pleasure. The restraints of religion and morality were, of course, non-existent; liaisons and [338] licence were the order of the day, and T��r��zia was not likely to be an exception to the general custom. She had, besides her daughter by Tallien, other children, who, as no other name belonged to them, were called Cabarrus. And her being or calling herself Tallien��s wife was no reason why she should renounce her natural right to love any one else where, when, and as often as she pleased.The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Com��die Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte d��Artois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.