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"And is there no doctor?"A marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.
このページの先頭です
ONE:Rising from the highest point of the hill the huge tomb of Aurungzeeb the Greatmore huge in the darknessstood out clearly, a black mass, its bulbous dome against the sky. Flocks of goats and sheep came clambering along the ridge to shelter for the night in the recesses of its walls. Then, one by one, the lights died out. Infinite calm brooded over the scene; a very subtle fragrance, as of rose and verbena, seemed to rise from the ground and scent the still air; and over the motionless earth swept enormous black bats in silent flight, with slow, regularly-beating wings.
ONE:
ここから本文です
TWO:Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch.We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.

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THREE:
  • お客様の個人情報の取扱につきましては、関係法令を順守し、従業員および業務委託先に周知徹底し、 継続的な改善に努めます。
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THREE:The ugliest of these palaces is that of the Maharajah, with galleries of varnished wood, of which the windows overlooking the river are filled with gaudy stained glass. In the garden is a pagoda painted in crude colours crowned with a gilt cupola; the zenana has bright red walls striped with green, and in the grounds there is a cottage exactly copied from a villa in the suburbs of London.All the men carry fighting quails in little cages made of a net stretched over a wooden tray and cone-shaped at top. Towards evening, in the shade of the houses, at the street corners, in the courtyardseverywhere, there is a group betting on the chances of a fight. The birds taken out of the cages at first turn slowly round each other, their beaks close together. Then a spring, a flutter of wings and flying feathers; the quails strike and peck, aiming at the head, and then suddenly they seem quite indifferent and turn round and round again, picking up grain from the ground. When a[Pg 284] bird is killed at the end of a battle, its eyes blinded and its breast torn open, it is considered a fine, a noble spectacle, and amateurs will talk of it for a long time. As a rule, after a few rounds one of the birds tries to get away. Then its owner pricks its neck with a knife, and the gasping creature dies slowly in the dust, the blood oozing drop by drop.
  • 当社の事業、製品、技術、サービスに関わる資料の送付、見積依頼、各種お問い合わせに対する対応の 目的に利用いたします。
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THREE:

当社は、ご提供いただいた個人情報を、次のいずれかに該当する場合を除き、第三者に譲渡?提供 することはありません。

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  • 機密保持契約を締結した業務委託先等に対し、業務を委託する場合
TWO:The servant who came to tell me that dinner was served went barefoot, like all native servants, in spite of his liverya sash and a shoulder-belt arranged over the Indian costume, and bearing the arms of England, and a monogram placed in his turban.

当ウェブサイトのご利用にあたっては、以下の利用条件をよくお読みいただき、これらの条件にご同意されてから、ご利用いただくようお願いいたします。ご同意いただけない場合にはご利用をお控えくださるようお願いいたします。

THREE:
  • 当社は、当ウェブサイトの掲載情報について可能な限りその正確性を保つよう細心の注意を払っておりますが、 これらはいかなる保証をするものではありません。
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  • 当社は当ウェブサイトのご利用に起因するいかなる損害についても一切責任を負いかねます。
THREE:Near the sepoys' tents long lines of mules picketed by their feet stood by the guns; and further on baggage-camels, lying down, were hardly distinguishable from the russet grass and the scorched ochre sand.
  • 当ウェブサイトに収録されているコンテンツの著作権は、日本化学機械製造株式会社に帰属しています。
  • 法律で認められている範囲を超えて、当ウェブサイト内のコンテンツを著作権者に無断で使用することはできません。
THREE:The rajah's sleeping-room has at one end a dais ascended by three steps; here the sovereign's bed used to be spread; and here, now, the judges of the Supreme Court have their seats. In the middle of the room was a confused array of benches and tables, and against the walls, also washed with yellow, hung a series of portraits of bewigged worthies.
  • 当ウェブサイトへのリンクをご希望の場合は、当社までご連絡くださるようお願いいたします。
  • 但し、ウェブサイトの内容やリンクの方法によっては、当ウェブサイトへのリンクをお断りする場合があります。
THREE:A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.An interpreter translated to the accused the questions put by the judge, who understood the replies, though he was not allowed to speak excepting in English.
  • お問い合わせは、 までお寄せください。
  • また、当社より送信するお問い合わせへのご返事等の電子メールは、お客様個人宛にお送りするものであり、 この電子メールに関する著作権は当社に帰属します。
  • 当社の許可なくこの電子メールの一部または全体を利用することはご遠慮くださいます様お願いいたします。
TWO:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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