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In the carriage were Mademoiselle dOrlans, Mme. de Genlis, her niece, and M. de Montjoye, a young officer who had escaped from France, and was very sensibly going to live in Switzerland, where he had relations. He spoke German very well, and it was agreed that he should say the others were English ladies he was escorting to Ostende.

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Well, then, give us the list for you have it in your bosom! And one brutal fellow tried to tear her corsage to get it.The Carmes was one of the bad ones, as regards accommodation, but in it were many prisoners belonging to good society, delicate, refined, bearing bravely the privations and dangers of their lot. It was supposed to be one of the aristocratic prisons, though less comfortable than the rest.What a deliverance!

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TWO:They had systematically augmented his suspicions till they induced him to sign an order for the arrest of the Empress, the Tsarevitch, and the Grand Duke Constantine, and this document they showed the Tsarevitch, saying: You see that your father is mad, and you will all be lost unless we prevent it by shutting him up instead.

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THREE:
FORE:All the preliminaries were arranged by the families without anything being said upon the subject to the proposed bride, nor probably to the bridegroom either, and when everything was settled it was decided that now nothing was left to do but to consult the personal inclinations of the young [192] people, in preparation for which Pauline was informed in one of the usual family councils of her approaching introduction to her fianc.

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FORE:

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FORE:Weak character of Louis XVI.Quarrels at CourtMme. de TessForebodings of Mme. dAyenLa FayetteSaintly lives of Pauline and her sistersApproach of the RevolutionThe States-GeneralFolly of Louis XVI.Scenes at VersaillesFamily political quarrelsRoyalist and RadicalDeath of Paulines youngest child.

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FORE:MARIE DE VICHY-CHAMBRON, MARQUISE DU DEFFAND

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FORE:But one day she received a letter from her aunt, Mme. de Tess, inviting her to come and live with her at Lowernberg in the canton of Fribourg.THE early years of the childhood of Elisabeth Vige were peaceful and happy enough, and already at a tender age the genius which was to determine and characterise her future life began to appear. According to the usual custom she was placed in a convent to be educated, and though only six years old when she was sent there, she had then and during the five years of her convent life, the habit of drawing and scribbling perpetually and upon everything she could lay her hands on, much to the displeasure of the good Sisters and of her companions.

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THREE:The marriage took place in February, 1755, when the cold was so intense that the navigation of the Seine was stopped by the ice, which at that time, when traffic was carried on chiefly by means of the rivers, was a serious inconvenience. [51] After the wedding the Comte and Comtesse dAyen went to live with his parents at the stately h?tel de [163] Noailles, now degraded into the h?tel St. James, while the vast, shady gardens that surrounded it [52] have long disappeared; shops and houses covering the ground where terraces, fountains, beds of flowers, and masses of tall trees then formed a scene of enchantment. FORE:
THREE:One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.One evening he was at the Opera ball, then frequented by people in good society. Masked or not, they were equally known to M. dEspinchal, who as he walked through the rooms saw a man whom he actually did not know, wandering about with distracted looks. He went up to him, asking if he could be of any use, and was told by the perplexed stranger that he had just arrived from Orlans with his wife, who had insisted on coming to the Opera ball, that he had lost her in the crowd, and that she did not know the name of the h?tel or street where they were. Calm yourself, said M. dEspinchal, Madame, your wife is sitting by the second window in the foyer. I will take you to her, which he did. The husband overwhelmed him with thanks and asked how he could possibly have known her.
FORE:Next came her twin sister, Henriette, from whom she had parted almost heart-broken, when she reluctantly left France for Parma. Henriette was the Kings favourite daughter, the best and most charming of all the princesses. Lovely, gentle, and saintly, the Duc de Chartres [61] was deeply in love with her and she with him. The King was disposed to allow the marriage, but was dissuaded by Cardinal Fleury. If the Infanta had been in question she would have got her own way, but Henriette was too yielding and submissive. She died at twenty-five years of age, of the small-pox, so fatal to her race (1752) to the great grief of the court and royal family, and especially of the King, by whom she was adored. Lead Designer

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FORE:Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother. Serior Analyst

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FORE:The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his sons room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce the King and Monseigneur le Dauphin. [69] Lead Developer

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199 ONE:No, Sire.
890 ONE:Yes, sir.
THREE:Besides, she educated her own two daughters, her nephew, Csar Ducrest, whose mother died and whose father (her brother) was given a post at the Palais Royal, a young cousin, Henriette de Sercey, and later on one or two other children she adopted. But what caused considerable speculation and scandal was the sudden appearance of a little girl, who was sent, she said, from England, to speak English with the other children amongst whom she was educated. On perfectly equal terms with the Princes and Princesses of Orlans, petted and made much of by every one, she was, and still is supposed by many, perhaps by most people, to have been really the daughter of Mme. de Genlis and the Duc de Chartres. At any rate, no English relations were ever forthcoming, and it was never clearly established where she came from, except that she was announced to have been sent over from England at the request of the Duc de Chartres. She was remarkably beautiful and talented, and Mme. de Genlis brought her forward, and did everything to make her as affected and vain as she had been made herself.
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Madame Vige Le BrunCazotte himself, after being saved by his daughter from the massacre, was re-arrested as he always foretold. His friends asked in vain why he did not hide, escape, save himself; he only repliedIN the histories of the four women whose lives are here related, I have tried, as far as is possible in the limited space, to give an idea of the various ways in which the Revolutionary tempest at the close of the eighteenth century and the eventful years which preceded and followed it, affected, and were regarded by, persons of the different parties and classes to which they belonged.The Duke put her back in the carriage and sat holding her in his arms; of what passed during their drive she never had a clear recollection, except that in a voice almost inaudible she ventured to ask if Rosalie was still alive, to which her father replied upon his word of honour that he had heard nothing of her. More, she dared not say, frightful visions rose before her eyes, she fancied herself seated upon the tumbril bound with other victims, and the thought was almost a relief to her.Old Isabey had a passion for art, and having two boys resolved to make one a painter, the other a musician; and as Louis, the elder one, was always scribbling upon walls and everywhere figures of all sorts, his father, regardless of the fact that the drawings were not at all good, assured his son that he would be a great artist, perhaps painter to the King; and as the younger boy, Jean-Baptiste, [34] was [71] constantly making a deafening noise with trumpets, drums, castagnettes, &c., he decided that he should be a musician.
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