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FORE:So she took rooms in the Piazza di Spagna, which is, of course, one of the most convenient and animated situations in Rome; but the noise, which never seems to inconvenience Italians, was insupportable to her. Carriages and carts, groups of people singing choruses, lovely in themselves, but distracting when they went on all night, made sleep impossible, and drove her to another dwelling, a small house in a quiet street which took her fancy. The whole house was so charming that, with her usual carelessness about money, she hastened to pay [94] the ten or twelve louis for the month��s rent, and took possession. She went to bed rejoicing in the silence, only broken by the splash of a fountain in the little courtyard; but in the middle of the night a horrible noise began which woke them all up and prevented any more sleep till the morning, when the landlady explained that there was a pump fastened to the wall outside, which was constantly being used by the washerwomen, who, as it was too hot to work in the day, began the washing at two o��clock in the morning. Accordingly Mme. Le Brun removed into a small palace, which she found damp and cold, as it had been uninhabited for nine years; it was also infested by armies of rats. She stayed there six weeks and then moved, this time on condition of sleeping one night in the house before paying the rent; but the beams of the ceilings were full of little worms, which gnawed all night long and made such a noise that she declared she could not sleep, and left the next day. FORE: FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.