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THREE:Alice was not of a prevaricating or deceptive nature, but having suddenly remembered that her mother was opening a bazaar that afternoon, and would not be back for tea, she gaily hastened to forget that again, for the chance of having tea alone with Mr Silverdale must not be jeopardised by such infinitesimal proprieties. She hastened also to forget to tell her mother that he had proposed himself, and only remembered to change her dress after lunch for something more becoming. She choose with a view to brightening herself up a daring red gown, which made her, by contrast, look rather whiter than the influenza had really left her. But she did not mind that: it was obviously out of the question to look in rosy and blooming health, and the best alternative was to appear interestingly pale. She remembered also to order hot buns for tea, though the idea of eating one in her present state was provocative of a shuddering qualm, and having her mother safely off the premises, sat waiting in Mrs Keeling��s boudoir ready to ring for tea as soon as her visitor appeared. Punctually the sound of the front-door bell, and according to his custom, he came running across the drawing-room, tapped at the boudoir door, and peeped in, his head alone appearing.But as the fire began to die down, the invigorating prospect of next day lost its quality, and there began to stir in her mind a vague disquiet. Hitherto it had really been enough for her that Mr Silverdale existed; to put him on a pedestal and adore in company with other reverential worshippers had satisfied her, and the inspiration had resulted in many useful activities. But to-night she began to wish that there had not been{113} so many other worshippers, towards whom he exhibited the same benignant and affectionate aspect. There was Julia Fyson, for instance: he would walk between them with an arm for each, and a pressure of the hand for Julia as well as herself. In moments of expansion she and Julia had confided to each other their adoration and its rewards; they had sung their hymns of praise together, and had bewailed to each other the rare moments when he seemed to be cold and distant with them, each administering comfort to the other, and being secretly rather pleased. But now Alice felt that any story of his coldness to Julia would give her more than a little pleasure. She would like him to be always cold to Julia. She wanted him herself. And at that moment the truth struck her: she was in love with him. Till then, she had not known it: till then, perhaps, there had been nothing definite and personal to know. But now, as the fire died down, she was aware of nothing else, and her heart starved and cried out. She had admired and adored before; those were self-supporting emotions. But this cried out for its due sustenance.
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THREE:The line of perpetual snow.
But this denouncing pleasure and praising

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THREE:SHOOTING AT A WATER-SPOUT. SHOOTING AT A WATER-SPOUT.Cries of masculine anger and feminine affright filled the hall, but one ringing order for silence hushed all, and the dance stood still with Ned Ferry in its centre. In his right hand, shoulder high, he held not his sword, but Charlotte's fingers lightly poised for the turn in the arrested dance. "Stand, gentlemen, every man is covered by two; look at the doors; look at the windows." The staff captain daringly sprang for the front door, but Ferry's quick boot caught his instep and he struck the floor full length. Like lightning Ferry's sword was out, but he only gave it a deferential sweep. "Sir! better luck next time!--Lieutenant Quinn, put the Captain in your front rank."
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THREE:Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features."But they were present, eh?"

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