The forces on which the Ameers relied numbered about 20,000 men, who had retired to a great stronghold, eight days' journey distant, in the dreary desert of Beloochistan. Thither, notwithstanding the difficulties of the march, Sir Charles Napier boldly determined to pursue them. The wells being all dry, water for the troops and their horses had to be carried on camels' backs. With 360 men of the Queen's Regiment, mounted on camels, and 200 irregular cavalry, followed by ten camels bearing provisions, and eighty loaded with water, the adventurous general directed his perilous course into the desert, commencing his march on the 5th of January, 1843. After three or four days' march over burning sands, the camels became too weak to draw the howitzers. Their place was supplied, or their failing strength aided, by the hardy and indomitable Irishmen who formed part of the expedition. "At length, on the evening of the 14th, the square tower of Emaum-Ghur was discerned, rising on the distant horizon in solitary grandeur, in that profound solitude." They found the place deserted; Mahommed Khan, the governor, having retired with his treasure the day before, leaving an immense quantity of ammunition behind. With this the fortress was blown up. No fewer than twenty-four mines were run under it in different parts. As Major Warburton, the engineer, was applying his fusee to the last one, his assistant cried, "The other mines are going to burst." "That may be," he replied; "but this must burst also." He then set fire to the fusee with his own hand, and quietly walked away. In a few minutes the stronghold of the Beloochees was blown into fragments. They had another, of equal strength, farther on in the desert; but to attack that with the forces now at his command was an impossibility; and so Sir Charles Napier returned, and rejoined his main army near Hyderabad, having sent Outram to negotiate the details of the treaty.George III. expired on the 29th of January, 1820. Although it was Sunday, both Houses of Parliament met according to the requisition of the statute, 6 Anne c. 7. Lord Eldon merely appeared on the woolsack; and, as soon as prayers were read, the House of Peers was adjourned. The same day a council was held at Carlton House, when the usual ceremonies were observed, as upon the commencement of a new reign, although George IV. had been virtually king during the period of the Regency. On this occasion the Ministers delivered up the emblems of their different offices, and were all graciously reappointed. Lord Eldon, in a letter to his daughter, felicitates himself on having been thus placed "in the very singular situation, that of a third Chancellorship." But Lord Campbell remarks that he was probably not aware that one of his predecessors had been Chancellor five times. His immediate successor had been four times Chancellor, and Lord Cottenham three times. "It is amusing," says Lord Campbell, "to observe how he enhances the delight he felt at the commencement of this third Chancellorship by protestations that he was reluctantly induced again to accept the worthless bauble, lest, by declining it, he should be chargeable with ingratitude." The Chancellor made similar protestations of reluctance and humility when George IV., grateful for his services in connection with the prosecution of the queen, pressed upon him accumulated honours; giving him, at the same time, two additional steps in the peerage, as Viscount Encombe and Earl of Eldonhonours which, he said, he had repeatedly declined to accept when offered by George III.
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Now, much of this at the moment was true; the manufacturers were naturally anxious to resume their business, and a fall in the price of corn, after the plentiful harvest of 1817, to seventy-four shillings and sixpence, relieved a little the pressure on the working classes. Could cheap bread have[133] been secured, the condition of the people might soon have become easy; but the fatal Corn Law came immediately into operation. By the end of 1817 corn had risen in price again to eighty-five shillings and fourpence; and then the ports were opened, but the supplies did not bring down the markets. The spring of 1818 proved wet, and then about the middle of May a drought set in, and continued till September, so that the apprehension of a deficient harvest kept up the price of all articles of life, notwithstanding that a million and a half quarters of wheat had been imported during the year. So long as bread was tolerably cheap, and work more abundant, political agitation in the manufacturing districts subsided; but it was soon proved that the apparent increase of activity in manufacturing and commercial exports was but a feverish desire on the part of manufacturers and merchants to force a trade for which the exhausted Continent was not yet prepared. Nothing but a free importation of corn could have carried the country comfortably through the crisis; and this was denied by the measures of Government, except at a rate of price that put the proper consumption of bread beyond the means of the working classes.In the art of printing, the process of stereotyping (originally invented by William Ged) was re-invented by Mr. Tulloch, in 1780. In 1801 lithography was introduced into England from Germany, but was not much used till Mr. Ackermann began to employ it, in 1817. In 1814 steam was first applied to printing in the Times office.In the latest period scarcely any acting dramas were produced. Amongst the unacted tragedies, or such as were acted with no great successbeing better fitted for private studywere Coleridge's "Remorse" and "Zapolya;" Shelley's "Prometheus Unbound" and "The Cenci;" Byron's "Cain," "Manfred," "Sardanapalus," etc.; Maturin's "Bertram," "Manuel," and "Fredolpho;" Joanna Baillie's "Plays on the Passions," "The Family Legend"the last acted with some success at Edinburgh, through the influence of Sir Walter Scott, in 1810Charles Lamb's "John Woodvill," Milman's "Fazio," and Walter Savage Landor's "Count Julian," "Andrea of Hungary," "Giovanni of Naples," "Fra Rupert," "The Siege of Ancona," etc., all masterly dramas, constituting a blaze of dramatic genius which, had it been adapted to the stage, would have given it a new grandeur at the close of this reign.
