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From the horrors of the Revolution she had fled in time; with the Empire and its worshippers she had never had any sympathy; the episode of the Hundred Days was a new calamity, but when it was past and the King again restored her joy was complete.

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She spoke in the inflated style of the time, which belonged especially to the ranting, extravagant, theatrical phraseology of that strange collection of individuals who now held supreme power in the country so recently the most civilised and polished in the world.
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  • THREE:Such prophecies in the height of their prosperity seemed so absurd that they laughed, gave the wizard a large fee, and returned home, thinking the whole adventure very amusing.

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  • THREE:The three eldest princesses, who had always remained at court, were, Louise-Elizabeth, called Madame; [59] handsome, clever, and ambitious; who was married to the Duke of Parma, Infant of Spain, [169] a younger son of Philip V., consequently her cousin. [60]

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THREE:The death of her husband in 1834 was her last great sorrow, she survived him five years, and died in January, 1839, at the age of seventy-three, surrounded by those she loved best, who were still left her.Sadly she returned to Aix-la-Chapelle, where the news which she had heard at Lige of the September [233] massacres had already arrived, and where, besides their own horror and grief, the emigrs had to listen to the disgust and contempt everywhere expressed by those of other nations for a country in which such atrocities could be perpetuated without the slightest resistance.
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FORE:And amidst all the oppression, vice, and evil of which we hear so often in France of the eighteenth century, there was also much good of which [10] we hear little or nothing. The reason is obvious. Good people are, unfortunately, seldom so amusing to write or read about as bad ones. Has any one ever met with a child who wanted to be told a story about a good little girl or boy? And is it not true, though lamentable, that there are many persons who would rather read a book about a bushranger than a bishop?

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    FORE:Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.
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    FORE:But although fully enjoying the amusement and admiration that fell to her lot, she passed unscathed through the temptations and dangers around her. The strength and devotion of her religious principles, the deep love of her art, which was the ruling passion of her life, her affection for her mother, who was always with her, and to whom she confided all her affairs, were her only safeguards.
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    FORE:And yet amidst all the horrors and miseries even of the six last and most awful weeks of the Terror, in daily peril of death and amongst the most frightful hardships, laughter and jokes were heard in the prisons, friendships and love affairs were formed; every one was the friend of every one.Avait-il des chemises,

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All laughed at the vision, but the next day she was so ill that her execution was put off, she continued to be so ill that she could not be moved and was forgotten till the 9th Thermidor came and she was saved. She died, as Cazotte had predicted, in her own bed at a great age.The first personal encounter of Mme. de Genlis with the Revolution was one afternoon in 1790. She had driven with Mademoiselle dOrlans, the Comte de Beaujolais, Henriette de Sercey, and Pamela, to a village about twelve miles from Paris, where, unluckily, a fair was going on and a great many people collected together. They took it into their heads that the party were the Queen, Madame Royale, and the Dauphin trying to escape, and, surrounding them with anger, forced them to get out of the carriage and refused to believe their explanations.[364]
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