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THREE:The position assigned to women by Plato may perhaps have seemed to his contemporaries the most paradoxical of all his projects, and it has been observed that here he is in advance even of our own age. But a true conclusion may be deduced from false premises; and Plato��s conclusion is not even identical with that reached on other grounds by the modern advocates of women��s rights, or rather of their equitable claims. The author of the Republic detested democracy; and the enfranchisement of women is now demanded as a part of257 the general democratic programme. It is an axiom, at least with liberals, that no class will have its interests properly attended to which is left without a voice in the election of parliamentary representatives; and the interests of the sexes are not more obviously identical than those of producers and consumers, or of capitalists and labourers. Another democratic principle is that individuals are, as a rule, the best judges of what occupation they are fit for; and as a consequence of this it is further demanded that women should be admitted to every employment on equal terms with men; leaving competition to decide in each instance whether they are suited for it or not. Their continued exclusion from the military profession would be an exception more apparent than real; because, like the majority of the male sex, they are physically disqualified for it. Now, the profession of arms is the very one for which Plato proposes to destine the daughters of his aristocratic caste, without the least intention of consulting their wishes on the subject. He is perfectly aware that his own principle of differentiation will be quoted against him, but he turns the difficulty in a very dexterous manner. He contends that the difference of the sexes, so far as strength and intelligence are concerned, is one not of kind but of degree; for women are not distinguished from men by the possession of any special aptitude, none of them being able to do anything that some men cannot do better. Granting the truth of this rather unflattering assumption, the inference drawn from it will still remain economically unsound. The division of labour requires that each task should be performed, not by those who are absolutely, but by those who are relatively, best fitted for it. In many cases we must be content with work falling short of the highest attainable standard, that the time and abilities of the best workmen may be exclusively devoted to functions for which they alone are competent. Even if women could be trained to fight, it does not follow that their energies might not be more advantageously258 expended in another direction. Here, again, Plato improperly reasons from low to high forms of association. He appeals to the doubtful example of nomadic tribes, whose women took part in the defence of the camps, and to the fighting power possessed by the females of predatory animals. In truth, the elimination of home life left his women without any employment peculiar to themselves; and so, not to leave them completely idle, they were drafted into the army, more with the hope of imposing on the enemy by an increase of its apparent strength than for the sake of any real service which they were expected to perform.151 When Plato proposes that women of proved ability should be admitted to the highest political offices, he is far more in sympathy with modern reformers; and his freedom from prejudice is all the more remarkable when we consider that no Greek lady (except, perhaps, Artemisia) is known to have ever displayed a talent for government, although feminine interference in politics was common enough at Sparta; and that personally his feeling towards women was unsympathetic if not contemptuous.152 Still we must not exaggerate the importance of his concession. The Platonic polity was, after all, a family rather than a true State; and that women should be allowed a share in the regulation of marriage and in the nurture of children, was only giving them back with one hand what had been taken away with the other. Already, among ourselves, women have a voice in educational matters; and were marriage brought under State control, few would doubt the propriety of making them eligible to the new Boards which would be charged with its supervision.It is a familiar fact, first brought to light by Lessing, and generalised by him into a law of all good literary composition, that Homer always throws his descriptions into a narrative form. We are not told what a hero wore, but how he put on his armour; when attention is drawn to a particular object we are made acquainted with its origin and past history; even the reliefs on a shield are invested with life and movement. Homer was not impelled to adopt this method either by conscious reflection or by a profound poetic instinct. At a certain stage of intellectual development, every Greek would find it far easier to arrange the data of experience in successive than in contemporaneous order; the one is fixed, the other admits of indefinite variation. Pictorial and plastic art also begin with serial presentations, and only arrive at the construction of large centralised groups much later on. We have next to observe that, while Greek reflection at first followed the order of time, it turned by preference not to present or future, but to past time. Nothing in Hellenic literature reminds us of Hebrew prophecy. To a Greek all distinct prevision was merged in the gloom of coming death or the glory of anticipated fame. Of course, at every great crisis of the national fortunes much curiosity prevailed among the vulgar as to what course events would take; but it was sedulously discouraged by the noblest minds. Herodotus and46 Sophocles look on even divine predictions as purposely ambiguous and misleading. Pindar often dwells on the hopeless uncertainty of life.35 Thucydides treats all vaticination as utterly delusive. So, when a belief in the soul��s separate existence first obtained acceptance among the Greeks, it interested them far less as a pledge of never-ending life and progress hereafter, than as involving a possible revelation of past history, of the wondrous adventures which each individual had passed through before assuming his present form. Hence the peculiar force of Pindar��s congratulation to the partaker in the Eleusinian mysteries; after death he knows not only ��the end of life,�� but also ��its god-given beginning.��36 Even the present was not intelligible until it had been projected back into the past, or interpreted by the light of some ancient tale. Sappho, in her famous ode to Aphrodit��, recalls the incidents of a former passion precisely similar to the unrequited love which now agitates her heart, and describes at length how the goddess then came to her relief as she is now implored to come again. Modern critics have spoken of this curious literary artifice as a sign of delicacy and reserve. We may be sure that Sappho was an utter stranger to such feelings; she ran her thoughts into a predetermined mould just as a bee builds its wax into hexagonal cells. Curtius, the German historian, has surmised with much plausibility that the entire legend of Troy owes its origin to this habit of throwing back contemporary events into a distant past. According to his view, the characters and scenes recorded by Homer, although unhistorical as they now stand, had really a place in the Achaean colonisation of Asia Minor.37 But, apart from any disguised allusions, old stories had an inexhaustible charm for the Greek imagination. Even during the stirring events of the Peloponnesian war, elderly Athenian47 citizens in their hours of relaxation talked of nothing but mythology.38 When a knowledge of reading became universally diffused, and books could be had at a moderate price, ancient legends seem to have been the favourite literature of the lower classes, just as among ourselves in Caxton��s time. Still more must the same taste have prevailed a century earlier. A student who opens Pindar��s epinician odes for the first time is surprised to find so little about the victorious combatants and the struggles in which they took part, so much about mythical adventures seemingly unconnected with the ostensible subject of the poem. Furthermore, we find that genealogies were the framework by which these distant recollections were held together. Most noble families traced their descent back to a god or to a god-like hero. The entire interval separating the historical period from the heroic age was filled up with more or less fictitious pedigrees. A man��s ancestry was much the most important part of his biography. It is likely that Herodotus had just as enthusiastic an admiration as we can have for Leonidas. Yet one fancies that a historian of later date would have shown his appreciation of the Spartan king in a rather different fashion. We should have been told something about the hero��s personal appearance, and perhaps some characteristic incidents from his earlier career would have been related. Not so with Herodotus. He pauses in the story of Thermopylae to give us the genealogy of Leonidas up to Heracl��s; no more and no less. That was the highest compliment he could pay, and it is repeated for Pausanias, the victor of Plataea.39 The genealogical method was capable of wide extension, and could be applied to other than human or animal relationships. Hesiod��s Theogony is a genealogy of heaven and earth, and all that in them is. According to Aeschylus, gain is bred from gain, slaughter from slaughter, woe from woe. Insolence bears a child like unto herself, and this in turn gives birth to48 a still more fatal progeny.40 The same poet terminates his enumeration of the flaming signals that sped the message of victory from Troy to Argos, by describing the last beacon as ��not ungrandsired by the Idaean fire.��41 Now, when the Greek genius had begun to move in any direction, it rushed forward without pausing until arrested by an impassable limit, and then turned back to retraverse at leisure the whole interval separating that limit from its point of departure. Thus, the ascending lines of ancestry were followed up until they led to a common father of all; every series of outrages was traced through successive reprisals back to an initial crime; and more generally every event was affiliated to a preceding event, until the whole chain had been attached to an ultimate self-existing cause. Hence the records of origination, invention, spontaneity were long sought after with an eagerness which threw almost every other interest into the shade. ��Glory be to the inventor,�� sings Pindar, in his address to victorious Corinth; ��whence came the graces of the dithyrambic hymn, who first set the double eagle on the temples of the gods?��42 The Prometheus of Aeschylus tells how civilisation began, and the trilogy to which it belongs was probably intended to show how the supremacy of Zeus was first established and secured. A great part of the Agamemnon deals with events long anterior to the opening of the drama, but connected as ultimate causes with the terrible catastrophe which it represents. In the Eumenides we see how the family, as it now exists, was first constituted by the substitution of paternal for maternal headship, and also how the worship of the Avenging Goddesses was first introduced into Athens, as well as how the Areopagite tribunal was founded. It is very probable that Sophocles��s earliest work, the Triptolemus, represented the origin of agriculture under a dramatic form; and if the same poet��s later pieces, as well as all those of Euripides,49 stand on quite different ground, occupied as they are with subjects of contemporaneous, or rather of eternal interest, we must regard this as a proof that the whole current of Greek thought had taken a new direction, corresponding to that simultaneously impressed on philosophy by Socrates and the Sophists. We may note further that the Aeginetan sculptures, executed soon after Salamis, though evidently intended to commemorate that victory, represent a conflict waged long before by the tutelary heroes of Aegina against an Asiatic foe. We may also see in our own British Museum how the birth of Ath��n�� was recorded in a marble group on one pediment of the Parthenon, and the foundation of her chosen city on the other. The very temple which these majestic sculptures once adorned was a petrified memorial of antiquity, and, by the mere form of its architecture, must have carried back men��s thoughts to the earliest Hellenic habitation, the simple structure in which a gabled roof was supported by cross-beams on a row of upright wooden posts.