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THE theatre was a passion with Mme. Le Brun, and all the more interesting to her from her friendships with some of the chief actors and actresses, and her acquaintance with most of them, from the great geniuses such as Talma, Mlle. Mars, and Mlle. Clairon to the dbutantes like Mlle. Rancourt, whose career she watched with sympathetic interest. For Mme. Dugazon, sister of Mme. Vestris and aunt of the famous dancer Vestris, she had an unmixed admiration; she was a gifted artist and a Royalist heart and soul. One evening when Mme. Dugazon was playing a soubrette, in which part came a duet with a valet, who sang:He sent a number of the printed copies of his opinion on the Kings trial, desiring that some might be forwarded to England. It was as follows:
ONE:Of course the plan was visionary, and the provinces had been so long incorporated into France, that even if the allies had consented to the dismemberment, the nation would never have submitted to it.The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way. FORE:Capital letter A FORE:But the changed aspect of Paris, the loss of so many she loved, and perhaps most of all the ungrateful conduct of her daughter, depressed Mme. Le Brun so that she lost her spirits, had a perpetual craving to be alone, and for this purpose took a [150] little house in the wood of Meudon, where, except for the visits of the Duchesse de Fleury and one or two other friends who lived near, she could to a certain extent indulge in her new fancy for solitude.Mme. Le Brun, speaking of Mme. de Genlis, says, Her slightest conversation had a charm of which [465] it is difficult to give an idea.... When she had discoursed for half an hour everybody, friends and enemies, were enchanted with her brilliant conversation.
THREE:We started the next morning; M. le Duc gave me his arm to the carriage; I was much agitated, Mademoiselle burst into tears, her father was pale and trembling. When I was in the carriage he stood in silence by the door with his eyes fixed upon me; his gloomy, sorrowful look seeming to implore pity.
THREE:

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THREE:Neither of the young people dared speak to or [193] look at the other, but at last M. de Beaune [73] got up to be shown a portrait of Washington by de Noailles and La Fayette, who were present, and she took the opportunity of looking at him. He was not handsome, but had an attractive face, and at the end of the evening she told her mother that she was quite willing to marry him.[234]

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THREE:
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    THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said

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THREE:[xii]It has been said that the arrest was made at the end of a fte she had been giving at which Robespierre himself was present, and which he had only just left, with professions of the sincerest friendship.
FORE:Through all this time it is not clear exactly where Trzia was, probably at Paris and at Fontenay, but the relations between herself and her husband did not improve, and without any violent enmity between them, she had several times thought of getting a divorce from him.He was extremely kind to Mme. Le Brun, whom he always called ma bonne amie; she was often at his house, though she did not care for the great dinners of never less than thirty people, which were always at seven oclockin those days considered a late hour. FORE:However, he stayed a year, much to the surprise of Mme. de Genlis, in the first place that he should have kept her in ignorance of his plans, and in the second that he should break his promise to her. His flight had also the result of preventing their journey, for it had irritated the mob, who were now, under their brutal and ferocious leaders, the rulers of France, and they watched with suspicion all the rest of the Orlans family; it would not have been safe for them to attempt to travel. Such was the freedom already achieved by the efforts of their father and his friends. FORE:
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Flicit composed some verses all about flowers and friendship, which were pronounced to be very touching, and which she sang dressed up as a shepherdess, having first presented him with a bouquet. She next appeared in a Spanish costume singing a romance composed by her mother, and finally she played the harp, which seems to come in like a chorus throughout all her eventful life.Si ses sujets sont ses enfants,What do you want with me? she asked coolly, I am not an enemy of the people; you can see by my cockade that I am a patriot.The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc dEpernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb Cartier, cur of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbytre with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbytre, and when the good Abb returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.
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