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I think youre right, Dick agreed. But what started you off on that track?

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We found a string of beautiful, perfect emeralds in the stewardess cabin, hung up on a nail.But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotles philosophy to the rival form of spiritualism, mens minds naturally reverted, in the first instance, to what had once linked them togetherthe system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literatureat least the English literatureof that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spensers Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection. Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a lifes history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dantesthe Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotles principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.
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In this connexion we may deal with the question whether the philosophy of Plotinus is properly described as a pantheistic system. Plotinus was certainly not a pantheist in the same sense as Spinoza and Hegel. With him, the One and the All are not identical; although impersonal and unconscious, his supreme principle is not immanent in the universe, but transcends and creates it: the totality of things are dependent on it, but it is independent of them. Even were we to assume that the One is only ideally distinct from the existence which it causes, still the Nous would remain separate from the world-soul, the higher Soul from Nature, and, within the sphere of Nature herself, Matter would continue to be perpetually breaking away from Form, free-will would be left in unreconciled hostility to fate. Once, and once only, if we remember rightly, does our philosopher rise to the modern conception of the universe as an absolute whole whose parts347 are not caused but constituted by their fundamental unity, and are not really separated from one another in Nature, but only ideally distinguished in our thoughts. And he adds that we cannot keep up this effort of abstraction for long at a time; things escape from us, and return to their original unity.517 With Plotinus himself, however, the contrary was true: what he could not keep up was his grasp on the synthetic unity of things. And he himself supplies us with a ready explanation why it should be so, when he points to the dividing tendency of thought as opposed to the uniting tendency of Nature. What he and the other Hellenic thinkers wanted above all, was to make the world clear to themselves and to their pupils, and this they accomplished by their method of serial classification, by bringing into play what we have often spoken of as the moments of antithesis, mediation, and circumscription, Stoicism also had just touched the pantheistic idea, only to let it go again. After being nominally identified with the world, the Stoic God was represented as a designing intelligence, like the Socratic Godan idea wholly alien from real pantheism.It cant be a rats claws, he decided. There arent any rats. Theres nothing to draw them, here.Whoever and whatever he is, Sandy mused, he knows how to lift a crate out of the sand.
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