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THREE:After her proceedings at the Bastille and the Cordeliers, and considering her connection with the revolutionary party, Mme. de Genlis (or Sillery, as she was also called) need not have expressed the surprise and indignation she did at the arrival of a body of police to search her house for arms, reported to be stored there. They were sent by La Fayette, who had done even more mischief than she had; but for some reason they did not like each other. The touchy, conceited Republican poet, Marie Joseph Ch��nier, who ranted against religion, royalty, and everything and everybody superior to himself, began to make love to Mme. de Genlis, and when she objected to his impertinent familiarity, said furiously: ��You are right; I am [418] neither a grand seigneur nor a duke!����which specimen of the manners of her party disgusted her extremely. In her ��M��moires�� she relates of this worthy that he was accused of having participated in the condemnation of his brother Andr��, also a poet, executed under the Terror. This was, however, almost certainly untrue, but it was said that he could have saved him if he had made use of the influence he possessed with the Terrorists, but that he either feared or did not care to do so. The celebrated actress, Mlle. Dumesnil, then old and infirm, received one day a visit from him, during which he tormented her to recite something for him. She was ill in bed, but nevertheless he went on begging that she would recite only one line that he might say he had heard her, when, turning towards him with a violent effort she said��Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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