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These great victories, so hardly won with such heavy sacrifices of human life, and accompanied by such heroic achievements, excited the admiration of the British public. The principal actors were munificently rewarded. The Governor-General was created Viscount Hardinge of Lahore, the title being accompanied by a shower of honours from his Sovereign, and a large pension from the East India Company. Sir Hugh Gough was also raised to the peerage, and received from the Company an annual pension of 2,000, with the same amount from Parliament, for three lives. Many of the officers engaged in the Sikh war received promotion and military orders, and a gratuity of twelve months' pay was given to all the soldiers without exception engaged in the campaign.Spain and Portugal are so bound together by natural sympathy that they generally share the same vicissitudes. Bad feeling had arisen between the national party and the Government in consequence of the appointment of Prince Ferdinand, the husband of the queen, to be commander-in-chief of the army. Other causes increased the popular discontent, which was at its height when the public was electrified by the news of the Spanish Revolution. The Ministers were obliged to make concessions; but, besides being inadequate, they were too late. The steamboat from Oporto was loaded with opposition members, who were received with the most enthusiastic demonstrations of welcome. On the 9th of September the clubs had everything arranged for a revolution, and a mixed array of troops of the line, ca?adors, and National Guards, proclaimed the Constitution adopted by John VI.; and, having sung a constitutional hymn, they appointed a deputation, headed by Viscount Sa Bandiera, to wait upon Queen Donna Maria. She had first contemplated resistance, but the army would not act against the people. The National Guards were in possession of the city, having occupied the Rocio Square in Lisbon all night, and in the morning they were informed that the queen had yielded to their wishes, appointing a new Ministry, with Bandiera at its head. Some of the most obnoxious of the ex-Ministers took refuge from popular vengeance on board the ships of the British squadron lying in the Tagus. Most of the peers protested against the Revolution; but it was an accomplished fact, and they were obliged to acquiesce.

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TWO:But the loss of the Allies had also been perfectly awful. The Prussians, besides the great slaughter at Ligny, had been engaged in a bloody struggle at Planchenoit, and the British and their Allies had lost in the battle of Waterloo two thousand four hundred and thirty-two killed, and nine thousand five hundred and twenty-eight wounded; these, added to the numbers killed and wounded at Quatre Bras, raised the total to fifteen thousand. Of British and Hanoverian officers alone six hundred were killed or wounded at Waterloo. The Duke of Brunswick fell at the head of his troops at Quatre Bras, without having the satisfaction of witnessing the final ruin of Buonaparte. So many of Wellington's staff were disabled that he had at one time no officer to dispatch with a pressing order. A young Piedmontese, of the family of De Salis, offered himself. "Were you ever in a battle before?" asked the Duke. "No, sir," he replied. "Then," said the Duke, "you are a lucky man, for you will never see such another." When the Duke, who had witnessed so many bloody battles, saw the carnage of Waterloo, and heard, one after another, the losses of so many companions in arms, he was quite overcome. In his despatches he says: "I cannot express the regret and sorrow with which I look round me, and contemplate the losses that we have sustained." And again, "The losses I have sustained have quite broken me down, and I have no feeling for the advantages we have gained."

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THREE:

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THREE:LORD ELDON. (After the Portrait by Sir Thomas Lawrence.)

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THREE:

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THREE:

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THREE:[See larger version]

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THREE:

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TWO:TRICOTEUSE, OR KNITTING WOMAN, OF THE NATIONAL CONVENTION.[469]

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THREE:DEATH OF WOLFE. (After the Painting by Benjamin West, P.R.A.)

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THREE:

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THREE: W. G. Joscelyn, promotion in the army, and his brother made Bishop of Lismore.

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TWO:Nujeem-ul-Dowlah, their new puppet, proposed to have one Nuncomar as his Prime Minister, but Nuncomar was too great a rogue even for them. He had alternately served and betrayed the English, and his master, Meer Jaffier, and the Council set him aside, and appointed to that office Mohammed Reza Khan, a Mussulman of far better character. Clive confirmed the appointment of Mohammed, but compelled Nujeem-ul-Dowlah to retire from the nominal office of Nabob, on a pension of thirty-two lacs of rupees.

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Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.
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