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TWO:"Can't you hear," he squeaked, red in the face.

TWO:"Another thing," said Fred��"why is it that the grooms are covered with tattoo-marks, and wear so little clothing?""In the first place, the bowl of plain porcelain is ground, so that the enamel will stick closely, which it would not do if the surface were glazed. Then the artist makes a design, on paper, of the pattern he intends putting on the bowl. When his design is finished, he lays it on a flat surface, and takes little pieces of brass wire which has been passed between rollers so that it becomes flattened; these he bends with pincers, so that they take the shape of the figure he wants to represent. Thus he goes over his whole design until every part of the outline, every leaf, flower, and stem��in fact, every line of his drawing��is represented by a piece of wire bent to the exact shape. The wire then forms a series of partitions; each fragment of it is a cell, or cloison, intended to retain the enamel in place and keep the colors from spreading or mingling. That is the first step in the work.

TWO:"We have automobiles and flying machines," interrupted Allingham, weakly.

TWO:

TWO:It was many years since Keeling had given any notice at all to such unmarketable objects as chestnut-buds or building birds. Spring had a certain significance, of course, in the catering department, for early vegetables made their appearance, and{230} soon there would arrive the demand for plovers�� eggs: spring, in fact, was a phenomenon that stirred in his pocket rather than his heart. But this year it was full of hints to him, of delicate sensations too fugitive to be called emotions, of sudden little thrills of vague longings and unformulated desires. A surreptitious half-sheet lurked in the blotting-paper on his library table on which he scrawled the date of some new flower��s epiphany, or the fact that a thrush was building in the heart of a syringa outside the window. It was characteristic of his business habits to tabulate those things: it was characteristic also that he should thrust the catalogue deep into the leaves of his blotting-paper, as if it held some guilty secret. "To the lairds o' Convention 'twas Claverhouse spoke,

TWO:He looked at the block in silence for a moment. There did not seem to be much work on it: he could get a woodcut that size for half of the price. It was but three inches by two.

TWO:"Then fetch me an ice. By the time you return I shall have thought of something pretty to say. Ah, I have pricked my finger. The ice, my dear boy, the ice. The finger will not hurt till you return.""Another says, 'Great many big million,' and he may not be far out of the way, though his statement is not very specific.

TWO: LANTERN-MAKER AT KIOTO. LANTERN-MAKER AT KIOTO.

TWO:He had made an excursion into fairy land��that was how he framed the matter to himself. There had been The Cedars and work for him before, there would be work and The Cedars for him afterwards. Those who have drunk of the metheglin never perhaps afterwards are wholly free from the reminiscence of the sweet draught brewed magically from the heather and the honey, but they go back after their sojourn among the little people, and behave like ordinary mortals again, and eat the home-brewed bread, and move about their appointed ways. But the nights and days they have spent in the secret places of the earth will, till they die, be more vivid to them than all the actual experiences that they go through afterwards and went through before they penetrated the enchanted glen; the remembrance will colour their idle moments with the ensanguined hue of dream; that baseless fabric, that vision of hidden doors thrown open and the things that lurk within, is more rich, just because to them it is more real than the sober tonelessness of their profession or{328} pursuit. Therefore if they are wise, the best thing they can do is, like Prospero, to drown the magic book beneath the waters of absorbing employment. Often it will float up again to the surface, and each time it must be prodded back with averted eyes. So, for Keeling, a love that could not be realised once crowned the hill-tops of his nature; now that citadel and the very hill-tops themselves had been shaken down and strewn over the plains. He had now one paramount need��that of forgetting, and, since he could not forget, the need resolved itself into the effort to remember as little as possible, to use up in other ways the energy which was his, and the leisure that he could command if he chose.

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