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ONE:
TWO:In a stretch of timber where we broke ranks for a short rest, unbitting but not unsaddling, a lot of fellows pressed me to tell them about the boat on the river. "You heard what was in it, didn't you?" asked one nearly as young as I.
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ONE:The steamer was anchored nearly half a mile from shore. English, French, German, and other ships were in the harbor; tenders and steam-launches were moving about; row-boats were coming and going; and, altogether, the port of Yokohama presented a lively appearance. Shoreward the picture was interesting. At the water's edge there was a stone quay or embankment, with two inner harbors, where small boats might[Pg 80] enter and find shelter from occasional storms. This quay was the front of a street where carriages and pedestrians were moving back and forth. The farther side of the street was a row of buildings, and as nearly every one of these buildings had a yard in front filled with shade-trees, the effect was pretty.
TWO:Suddenly Keeling felt himself interested in this, and the clacking of the typewriter came to his ears no longer.{162}I had expected to see again, and to feel, as well, the starry charms of Coralie Rothvelt; but what I confronted was far different. The charms were here, unquenched by this stare of daylight, but from them shone a lustre of womanliness wholly new. It seemed to grow on even when a tricksy gleam shot through it as she replied, "Yes, our acquaintance dates from Gallatin."
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ONE:Lake Biwa is a beautiful sheet of water, surrounded by picturesque mountains and smiling valleys. Steamers ply upon it, so that an excursion may be made on its waters with the utmost ease; and all around it there are picnic booths where parties may sit and enjoy the view. The time of our friends was limited, and so they had only a glimpse of the lake from one of those pleasure resorts, if a couple of hours spent there may be called a glimpse.
TWO:Day widened into its first perfection as we moved down the highroad toward a near fork whose right was to lead Harry and his solemn cort��ge southward, while the left should be our eastward course. Camille and I rode horseback, side by side, with no one near enough to smile at my sentimental laudations of the morning's splendors, or at her for repaying my eloquence with looks so full of tender worship, personal acceptance and self-bestowal, that to tell of them here would make as poor a show as to lift a sea-flower out of the sea; they call for piccolo notes and I am no musician."Indeed he does! I don't like to say it, and I don't say he drinks 'too much', as they call it; but, Smith, he drinks with men who do! Oh, I admire him; only I do wish--"
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THREE:Keeling looked at him with perfectly blank eyes.PRESENTING FOOD TO THE SPIRITS OF THE DEAD. PRESENTING FOOD TO THE SPIRITS OF THE DEAD. FORE:THE DOCTOR'S BEDROOM. THE DOCTOR'S BEDROOM."You say he remained three weeks on the back of that whale," said one of the listeners.

THREE: FORE:The thunder of our own hoofs Was all the sound we heard.THE HELMSMAN AT HIS POST. THE HELMSMAN AT HIS POST.

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THREE:

THREE:"No, I don't; pray don't ask me to draw inferences; I might infer too much."
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FORE:Keeling waited quite still for a moment, and then came back into himself from the bright places into which he had aspired.
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THREE:
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FORE:"H'm, yes��chemical action��tonics. People get run down, and I have to give them something to stimulate the system."
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THREE:On that the blood surged to Ferry's brow, but he set his mouth firmly, locked arms with the speaker and led him down the veranda. Gholson took on an uglier pallor than before and went back into the house. I followed him. He moved slowly up the two flights of hall stairs and into a room close under the roof, called the "soldiers' room". It had three double beds, one of them ours. Without a fault in the dreary rhythm of his motions he went to the bedpost where hung his revolver, and turning to me buckled the weapon at his waist with hands that kept the same unbroken measure though they trembled and were as pallid as his face. In the same slow beat he shook his head."Ha! ha! ha!" broke at last upon the silence of the night (and Mrs. Masters in her top attic heard the noise and thought of the devil climbing over the roofs). "Ha! ha! ha! ha!"
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FORE:"We have already described lacquer and cloisonn�� work in writing from Japan. The Chinese productions in the same line are so much like the Japanese that a description of one will do for the other. Some of the shapes are different, and it is not difficult, after a little practice, to distinguish the Chinese from the Japanese; but the modes of working are essentially the same. All things considered, we like the Japanese lacquer better than the Chinese, as it has more variety, and the Japanese seem to be more cunning than the Canton people in making those bewildering little boxes with secret drawers and nooks and a great variety of shapes. But when it comes to ivory carvings, we have something else to say.
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