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Under her own room, which looked out towards Marly, Mme. Le Brun discovered a gallery in which were huddled together all sorts of magnificent marbles, busts, vases, columns, and other costly works of art, the relics of former grandeur.[119]
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ONE:With reluctance she left Florence, but after all her supreme desire was Rome, and when at length in the distance across the plain over which they were travelling, the dome of St. Peters rose before them, she could hardly believe she was not dreaming, and that Rome lay there. Through the Porta del Popolo, across the piazza, down the Corso, and up to the entrance of the French Academy they drove, and the long journey was finished. TWO:[333]Ah! he said, Madame is no ouvrire; it is very well known who she is.


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THREE:[383]

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THREE:The days were as happy as the evenings, for they were spent in her fathers studio, where he allowed her to paint heads in pastel and to draw all day long with his crayons.

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THREE:[364]

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THREE:
THREE:Alas! Madame, the sight of you recalls to me a [472] recollection so fearful, that I would give my life to blot it out of my memory. I was one of those who beat the drums in the place de la Rvolution on the 27th January.
THREE:IL PONTE VECCHIO, FLORENCEPort Libre was a large buildingseveral buildings, [329] in factwith great corridors warmed by stoves; many of the rooms had fireplaces and there was a great salon where the richer prisoners dined. In the evening there were concerts, games, lectures, &c., or people read, wrote, and worked. Collections were made to pay for wood, lights, stores, extra furniture, waterthe richer paid for the poorer. Every one brought their own lights and sat round a great table; a few sans-culottes were there, but the society for the most part was extremely good. Little suppers were given by different prisoners to their friend, better food could be got by paying, also books, letters, parcels, and newspapers. At 9 p.m. was the appel, but they might afterward return to the salon, meet in each others rooms, or even get leave from the concierge to visit their friends in the other buildings. Outside were three walks: the garden, the cloisters, and the cour de laccacia, with palisades and a seat of grass under a great accacia. Often they sat out till eleven at night, and those whose rooms were close by sometimes spent the whole night out of doors.
THREE:
THREE:Caresne was a painter and poet whose poems and pictures were bad, but his conversation amusing. He wrote the following verses to Lisette, whose rapid progress and intelligence made her seem to be already passing out of childhood into girlhood:On the night fixed upon the party, consisting of the Queen, the Comtes and Comtesses de Provence and dArtois and some ladies and gentlemen of their households, started at three in the morning for Meudon, where a banquet was prepared, after which they went out on the terraces to see the sun rise. It was a lovely night, lamps were scattered about the gardens, guards were posted everywhere, the Queens ladies followed her closely. There was a splendid sun rise and all passed off well; but a few days afterwards came out an infamous libel called lAurore, containing accusations and statements so atrocious that the King, taking it to the Queen, said
THREE:Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.The newly risen were uneasy and jealous of the [480] emigrs, and not unnaturally irritated at the provocation they often gave them and the scorn with which they were not seldom treated.

ONE:The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.The evenings were spent in brilliant conversation and music, supper was at half-past ten, ten or twelve guests being the usual number at the table.

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ONE:She emigrated early, and far from being, as in most cases, a time of poverty and hardship, her exile was one long, triumphant career of prosperity.
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TWO:It was naturally impossible that Mme. de Genlis should be a conspicuous member of the Orlans household and yet not mix herself up with intimacies and friendships amongst the Revolutionists, especially as some of them at that time had not shown themselves in their true colours. She corresponded with Barze, who wrote to her about her books, and whose letters were full of the simple life of the peasants and the beauties of nature in the Pyrenees, but who soon developed into one of the monsters of the Terror. She could not be blamed for that, as she did not know his real character; but the same cannot be said with regard to her friendship with Ption, whom she received in her salon and for whom she declared that up to the time of the Kings murder she had a true esteem. Now Ption was a vulgar, brutal ruffian, as any one knows who has read the account of his behaviour during the miserable affair of the return of the royal family from Varennes; and yet after that she accepted his escort to England, and said that she remained persuaded that he had a most honest, upright soul, and the most virtuous principles. There are some people who make the very names of virtue and duty obnoxious to one, and of this number was certainly Mme. de Genlis. In spite of her outcries about the injustice and falsehood of the suspicions and odium attached to her concerning her conduct at this time, and causing her afterwards considerable annoyance and difficulties, her friendships with and praises of such characters as Philippe-galit, Ption, and others, added to the way in [425] which she displayed her rejoicing in the earlier excesses of the Revolutionary party, and her constant association with the authors of the disgraceful libels and attacks upon the Queen and royal family, amply justified whatever might be said against her.

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But that she should have been and still be accused, especially with regard to the Duke of Orlans, she had no right to complain. After all, those who wish to play the worlds game must play by the worlds rules. Certain ways of acting always cause certain conclusions to be drawn, and what else was likely between a man like Philippe-galit and a fascinating woman he admired, and with whom he was thrown into constant and intimate association, but the liaison every one might expect, and which it is impossible not to believe in.CHARLES ALEXANDRE DE CALONNEPauline understood, fetched her jewel-case, hid it under her cloak, and sending away her two maids, threw herself into her sisters arms. Rosalie clung to her in a passion of tears and sobs, they exchanged a lock of their hair, and Pauline, tearing herself away, hurried to the carriage in which her husband and child were waiting.Hold your tongue, tte-qui-roule, she cried angrily. Your body will be food for dogs.
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