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"Pan, sahib!""Water, sir!"The heavy door, plated with iron, was shut. Hubbub, shouts, thumps on the wood with gun-stocksnothing stirred, no reply.The road goes on. Trees cast their shade on the flagstone pavement, but between the houses and through open windows the sandy plain may be seen, the endless whiteness lost in a horizon of dust. このページの先頭です
ONE:When I went away home to the fort, where I was living with my friend Lieutenant F, the sentinel's challenge, the tall grey walls casting sharp shadows on the courtyard silvered with moonlight, and another sentry's cry; and still, in contrast with the cheerful evening, I could remember nothing but the tonga post-horsea thing so frequent in this land of fanatics, so common that no one gives it more than a passing thought.A different scene indeed next day, with none of the magnificence of yesterday, was the temple of magical lights. There was a dense crowd of shouting and begging pilgrims. Along the pyramidal roofs, as at Srirangam, there were rows of painted gods, but in softer and more harmonious hues. Over the tank for ablutions was a balcony decorated in fresco, representing in very artless imagery the marriage of Siva and Parvati. The couple are seen holding hands under a tree; he a martial figure, very upright, she looking silly, her lips pursed, an ingnue. In another place Siva sits with his[Pg 120] wife on his knees, she has still the same school-girl expression. Finally, on the ceiling, is their apotheosis: they are enthroned with all the gods of Ramayana around them, and she looks just the same. The red and green, subdued by the reflected light from the water, were almost endurable.
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ONE:As we approached the Afghan frontier, camp followed camp, clustering round the railway stations that lie closer together on the line. In the morning and towards evening there was a constant hum round the train, of bagpipes, bugles, and drums, and the red or grey ranks were to be seen of soldiers at drill.
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TWO:Further off, under the banyan trees, is the sepoys' camp; they have been turned out of barracks on account of the plague; and flashing here and there among the dark, heavy verdure there lies the steely level of motionless ocean.

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TWO:Every year pilgrims set up the tallest tree from the neighbouring jungle in front of the sanctuary, and twist round it an enormous red flag. The[Pg 291] mast now standing was at least a hundred feet high, and held in place by guys attached to banyan trees and houses standing near. Close to the ground ties of coloured worsted, the offerings of the faithful, held the crimson hanging to the pole.

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TWO:And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was brokenthe creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.
THREE:The young prince then goes on his way in search of the magical flower. He is about to rest awhile in a cavern, but at the moment when he lies down on a stone it is transformed into a monster made of bladder, which rears itself enraged in the air with a trumpet-cry. By good luck the king's son calls upon the aid of the prophet Suleiman, whom the dragon also reveres, and the pacified monster conveys Tazulmulook to the garden of Bakaoli, and, moreover, gives him a ring which will be a talisman in danger.
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THREE:In the side streets the natives lay sleeping on the bare earth in the coolness of night. On every house were the spots of red paint that told how many of the inhabitants had died of the plague;[Pg 304] and the smaller the house the closer were the dabs of paint, almost framing the door with a chain of red spots.[Pg 40]
Images of horses recurred at intervals, singly, or in pairs face to face; and as evening came on we saw round a pagoda a whole procession of horses in terra-cotta, some very much injured, arranged as if they were running round, one after another, in search of the heads and legs they had lost.On our way back through the temple-quarter a sudden wild excitement possessed the worshippers and priests; out of a side street rushed a large troop of monkeys, grey, with black faces. They galloped past in a close pack and fled to the trees, shrieking shrilly. One, however, lagged behind, bent on stealing some rice that had been brought as an offering to a plaster image of Vishnu. A Brahmin stood watching the monkey, and tried to scare it away with a display of threatening arms, but he dared not hit the beast sacred to Hanuman, the god of the green face. The creature, never stirring from the spot, yelled aloud, bringing the rest of the pack back on to the roof of the neighbouring pagodas. Then the ringleader, with a subdued, sleepy, innocent gait, stole gently up to the tray of offerings. He was on the point of reaching it when the priest raised his arm. This was a signal for the whole tribe to scream and dance with terror, but without retreating. The performance seemed likely to last; the bazaar and the temples were in a hubbub of excitement; the doors of the shops and the sanctuaries were hastily shut, till, at the mere sight of a man who came out[Pg 299] with a long bamboo in his hand, the whole pack made off and appeared no more, and Hardwar relapsed into its somnolent sanctity.Back to the station, where we lived in our carriage, far more comfortable than a hotel [Pg 58]bedroom. T., my travelling companion in Gujerat, received a visit from a gentleman badly dressed in the European fashion, and followed by black servants outrageously bedizened. When this personage departed in his landau, rather shabby but drawn by magnificent horses, T. was obliged to tell me he was a rajahthe Rajah of Suratquite a genuine rajah, and even very rich, which is somewhat rare in these days among Indian princes.In the depths of little recesses the lamps twinkled feebly before images crowned with flowers. At the entrances to shrines little glass lamps, like a mysterious fairy illumination, followed the lines[Pg 116] of the arabesques, sparkling like glowworms, without lighting up the passages which remained dark, and in which, in fact, we finally lost ourselves.At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.Then a quiet little street. Our guide paused in front of a whitewashed house. An old woman came out, and with many salaams and speeches of welcome led us into a large, low room.
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