FORE:Prince Ferdinand of Brunswick was more successful. He was at the head of an army of fifty-five thousand men, including ten or twelve thousand English, under Lord George Sackville. As the French had taken Frankfort-on-the-Main, he left the British and Hanoverian troops, amounting to twenty-eight thousand men, to watch the French, under Marshal de Contades, upon the Lippe, and set out to drive back the other divisions of the French, under De Broglie. He found these amounted to thirty-five thousand strong, but he did not hesitate to engage them at Bergen, on the Nidda, near Frankfort. After a hard-fought battle, he was defeated with a loss of two thousand men and five pieces of cannon. De Broglie pushed rapidly after him, formed a junction with Contades, and speedily reduced Cassel, Münster, and Minden. There appeared every prospect of the whole Electorate of Hanover being again overrun by them. The archives were once more sent off to Stade, ready for embarkation. But Ferdinand now displayed the superiority of his generalship. He left five thousand of his troops, with an air of carelessness, in the way of the French, who, unsuspicious of any stratagem, hastened forward to surprise them, when, to their astonishment, they found the whole of Ferdinand's army had been brought up in the night, and were drawn up behind a ridge near Minden.Fielding (b. 1707; d. 1754) began his career by an attempt, in "Joseph Andrews," to caricature the "Pamela" of Richardson. He represented Joseph as Pamela's brother; but he had not proceeded far when he became too much interested in his own creation to make a mere parody of him. This novel he produced in 1742, the year after the completion of "Pamela." The following year he gave to the world "Jonathan Wild;" in 1749, "Tom Jones;" and in 1751, but three years before his death, at the age of only forty-seven, "Amelia." But, besides a novelist, Fielding was a dramatic writer, a political writer, and the editor of four successive periodicalsThe Champion, The True Patriot, The Jacobite Journal, and The Covent Garden Journal. Fielding, unlike Richardson, was educated at Eton, and afterwards at Leyden. He had fortune, but he dissipated it; and had the opportunity of seeing both high and low life, by his rank as a gentleman and his office as a police-magistrate. His novels are masterly productions. His squire Western and parson Adams, and his other characters are genuine originals; and they are made to act and talk with a raciness of humour and a flow of wit that might even yet render them popular, if their occasional grossness did not repel the reader of this age. It is, indeed, the misfortune of Fielding, Sterne, and Smollett, that they lived in so coarse and debauched an epoch; their very fidelity now renders them repulsive. Richardson and Fielding were the Dickens and Thackeray of their day. In Fielding, the colder nature and the more satiric tone make the resemblance to Thackeray the more striking.
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