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In reading the memoirs and chronicles of that time one scarcely realises the existence of the many families and households, especially among the noblesse de province [8] or country gentlemen, and the middle classes, amongst whom the principles of order and religion were observed; and of an increasing circle of literary and philosophic persons who inveighed against the crimes, vices, and abuses of the age.

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Most people at that time, like those before the flood, had no idea of the possibility of the coming destruction.
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TWO:
FORE:IN the autumn of 1790 Lisette went to Naples, with which she was enchanted. She took a house on the Chiaja, looking across the bay to Capri and close to the Russian Embassy. The Ambassador, Count Scawronski, called immediately and begged her to breakfast and dine always at his house, where, although not accepting this invitation, she spent nearly all her evenings. She painted his wife, and, after her, Emma Harte, then the mistress of Sir William Hamilton, as a bacchante, lying on the sea-shore with her splendid chestnut hair falling loosely about her in masses sufficient to cover her. Sir William Hamilton, who was exceedingly avaricious, paid her a hundred louis for the picture, and afterwards sold it in London for three hundred guineas. Later on, Mme. Le Brun, having painted her as a Sybil for the Duc de Brissac after she became Lady Hamilton, copied the head and gave it to Sir William, who sold that also!
FORE:Lisette, to whom such an invitation was unfamiliar, accepted however; and the Countess then said[73]
FORE:Besides the gardens of the Tuileries, Luxembourg, and Palais Royal, there were plenty of other places to which the Parisians resorted for amusement.
FORE:And he clasped her in his arms.
FORE:Mme. Geoffrin [18] was born 1699: her father a [37] valet de chambre of the Dauphin. He and her mother died young and left her and her brother to the guardianship of their grandmother, a certain Mme. Chemineau, a woman of strong, upright character, and a devout Catholic, but narrow and without much education. She brought up her grandchildren with care and affection, and married the girl when about fourteen to M. Geoffrin, a rich and worthy commercial man of forty-eight. With him Thrse lived in tranquil obscurity until she was about thirty, when she became acquainted with the celebrated Mlle. Tencin, sister of the Cardinal, over whose house and salon she presided, and who, like Mme. Geoffrin, lived in the rue St. Honor.Vous ne partisez pas, citoyenne, vous ne partisez pas.
FORE:She was so talked about with the Duc de Chartres that the Queen would not receive her at her balls, [119] for Marie Antoinette was trying to bring some reform into the licence prevalent at court, where there was no end to the scandalous incidents that kept happening.A rouleau, Madame!
FORE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.
FORE:Leclerc withdrew, and a few minutes afterwards Davoust came in to announce his intended marriage.Her aunt, Mme. de Montesson, had, since her marriage, been on very friendly and intimate terms with her, although the two had never any real affection for each other, and now, M. de Montesson having died, his widow was aiming at nothing less than becoming the Duchess of Orlans, and found her niece a most useful and sympathetic confidant. For it had suited Mme. de Montesson to have a niece so well placed in society and so much sought after as the young Comtesse de Genlis. Flicit, on her part, was by no means blind to the advantage of having her aunt married to the first prince of the blood, and did everything in her power to forward her plans. The Duke had long been an admirer of Mme. de Montesson, who encouraged his devotion, was continually in his society, but had no intention whatever that their love-making should [380] end in any way but one. It was an ambition that seemed barred with almost insuperable difficulties, and yet it succeeded, though not to the full extent she desired.
FORE:Que faites vous maintenant?
TWO:[xii]These things are impossible. I shall never believe they meditate such atrocities.
TWO:When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.

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TWO:The French army had overrun Belgium, everyone was flying towards Holland; the road was encumbered with vehicles of all kinds. Old post-chaises, great family coaches, open carts, were filled with fugitives; many went down the Rhine in boats.
TWO:But that she should have been and still be accused, especially with regard to the Duke of Orlans, she had no right to complain. After all, those who wish to play the worlds game must play by the worlds rules. Certain ways of acting always cause certain conclusions to be drawn, and what else was likely between a man like Philippe-galit and a fascinating woman he admired, and with whom he was thrown into constant and intimate association, but the liaison every one might expect, and which it is impossible not to believe in.One day at the end of May when she and her daughter were walking in the summer gardens, they noticed that all the shrubs were covered only with buds. Taking a long walk round the gardens and returning to the same place, they found all the buds had burst into leaf.

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TWO:He was then twenty-three.

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Come, Marquis, try to have a spark of reason. It is my life I ask of youmy life.Madame Vige Le BrunWhen she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.
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